Catholicism's Living Church Is no Passing Trend
Better minds than mine have extolled the greatness of "Catholicism: A Journey to the Heart of the Faith," the ten-DVD series masterminded by Chicago priest and Word on Fire founder Father Robert Barron. Given the abundant commentary (and certain I lacked new words to reiterate fresh praise) I had no intention of offering more.
But a review of "Catholicism" by America's Maurice Timothy Reidy, well-intentioned though it may be, calls for critique. It also indirectly raises threshold questions for the future of Catholic publishing and media.
To be fair, where Reidy finds it merited, he is candid with praise. He declares the series "nearly flawless" from a "production standpoint," citing Father Barron's visits to sites like the Pantheon, St. John Lateran of Rome, and Lourdes. Moreover, says Reidy, "[a]t a time when the church sometimes seems as polarized as the political culture, 'Catholicism' is an essential reminder that we are all brothers and sisters in Christ." Reidy writes that Father Barron's "discussion of the Eucharist is especially affecting" and the "soul-searing images of Catholic art and architecture might even prompt some viewers to consider conversion . . ."
All very nice, but Reidy finds plenty to fault.
Father Barron's portrait of Catholicism is, he says, "a bit old-fashioned." After "10 hours of stained glass windows and Gregorian chant," Reidy yearns "for kitsch church mosaics and the strains of St. Louis Jesuits." While one detects some humor behind those lines, what Reidy writes next is not meant to be funny: "[T]he film fails to convey that the church is a living tradition, one that continues to inspire artists, musicians and writers, as well as young theologians and lay ministers. Shots of worshipers in Mexico and the Philippines are not enough to capture the vitality of the church today."
That last sentence is almost self-refuting and ought to incentivize everyone to watch the series for themselves. The pilgrims in adoration before the shrine of Our Lady of Guadalupe; the thousands crowding John Paul II at the first World Youth Day in Manila; the exuberant cries in St. Peter's Square greeting the new Pope Benedict XVI; the vibrant, colorful liturgies in Uganda: these and more were dramatic vignettes of not only the vitality of today's church but, equally, its universality.
And what, I wonder, would better convey a living tradition? Kitsch church mosaics? If that's the tradition we're preserving, to hell with it. More to the point: we could all, perhaps, propose less famous and more contemporary Catholics as models of the stamina and creativity of our faith (Ron Hansen, author of excellent novels like Atticus and Mariette in Ecstasy comes to mind, as does Father James Martin, S.J.), but with limited time and non-Catholic, sitcom-level attention spans to entice, Father Barron turned to the heavy hitters. What young theologian or lay minister is a more compelling representative of Catholicism, or of conversion, than Dorothy Day or Thomas Merton?
Matt Emerson writes from California, where he teaches at Xavier Prep.