Nude Beauty for Porn Addicts

With all due respect – which I understand to be a statement that allows you to say anything you want – there were a lot of wrongheaded responses to my last two posts on pornography. Most were centered along the fallacy that there exists no difference between nude art and pornography, or if there does, it is so slight a difference that it is irrelevant. There was also the general insinuation that the real, deep reason I’m even posting about this at all is because it gives me an excuse to masturbate, to which I chuckled. So that’s why so many people hang out in the Sistine Chapel.

However, the one objection I take seriously is that ‘yes, all of this is true, but to the man addicted to pornography, this truth can be nigh unrecognizable.’ That such direct pathways from nudity to lust are carved out in the brain matter of modern man that goodness, truth and beauty are almost immediately corrupted. That maybe, once upon a time, in a land free from pornographic advertising, a culture with an appreciation for nude art would have been a chaste culture, but no longer. The answer to pornography then, is not to foster an appreciation for the beauty of the human person, and the naked form, but to avoid nudity altogether. For even if it is good, it is dangerously easy to corrupt.

This argument has the virtue of being simultaneously true and false. It is true in that the appropriate response to lusting after something is not to somehow ‘artify’ it. You’d do better to jump into a bramble-bush after St. Francis, or hire an old Jewish woman to slap you in the back of the head whenever your eyes begin to glaze over.

She'd be glad to.

It is false in that it submits the battlefield to the pornographers. It is an acceptance of defeat: “We can’t do it. We can’t see the beauty in the Virgin, in the nude form, so we’re leaving. Take nude art, make it as corrupted as you want – we won’t look at any of it.” This is obviously the wrong attitude, because we Catholics are supposed to transform the culture by way of beauty, not remove ourselves from anything that has the potential to be corrupted. (Quick Note: Everything has the potential to be corrupted.)

If we revolt in the direction of puritanism – avoiding nudity in any context at all – we’re denying the beauty of God’s works; his works have been conquered by our sin. For the porn-addict, this ‘total avoidance’ may be a good practice at first. But as a lifetime method of developing chastity? One might as well try and develop patience by studiously avoiding other people.

So the answer must lie somewhere else. I hold that for the porn-addicted/lust-struggling art-viewer it is this: To recognize the beauty in nude art with an awareness of your own propensity to lust. To, by prayer and fasting, implore God for an uncorrupted view of the human person. Of course, this begs the question: How can one gain this view? In other words: How can a porn-addict view nude art without fear?

It seems to me that if it is the display of true beauty that separates nude art from pornography, than the ability to appreciate how this beauty is being displayed by the artist, and to recognize it as glorifying the human person is essential to ‘tearing out your eye’ that causes you to sin; to destroying the pathways that take beauty and rot it to lust.

So let’s take Botticelli’s Birth of Venus, a work we are all familiar with. Instead of approaching it with fear and trembling, let’s say a Hail Mary, and give it an honest appraisal. Where is the beauty that separates it from pornography? How does it glorify the human person?

To take on this task, I’ve been learning about all sorts of brilliant artistic techniques, and how they glorify humanity. Each one blew my mind as I found them present in the above painting. (I wanted to authentically ‘find’ these techniques, in order to judge whether understanding and appreciating actually does help a man to view nudity in the light of God’s marvelous creation.) I’m sure I got odd looks when, having been measuring the proportions of Venus for 20 minutes in the computer lab, I found the ratio and cried out “Holy crap, that’s awesome!” far too loudly.

For obvious reasons, and after you’ve said your prayer, start by looking at her face. It is undeniably beautiful, but why? What has the artist done? He’s conformed it to the Fibonacci Sequence, and the Golden Ratio, first of all. The ratio 1.61803399 that we humans love so dearly.

We love it here:

And here:

And here:

And, wonder of wonders, we love it here:

 

This is my ridiculously rough graph of Venus’ beautiful face – I pray she doesn’t smite me. The length divided by the width gets us close to that fantastic ratio that humans find so beautiful: 1.61…I imagine it would only get closer if I took the time to be more accurate. But do you see? Do you see how finding the objective beauty in the female face makes us appreciate it more deeply? It is not something we simply find good-looking. It is good-looking.

Right away we see the artist portraying a beauty, perfection of form. And the exact same is true of the body of Venus. I hold that it is a knife to the heart of lust, to realize the same beauty that strikes our hearts by way of flowers, galaxies, stained-glass windows, seashells and sunsets, is personified and condensed into the female form. The artist is not portraying nudity as being pornographic, he is portraying it as utterly beautiful. As a waterfall is beautiful, and as conch shell is too, so is woman, but infinitely more so. Again we find the Golden Ratio:

Isn’t that incredible? The length of her torso, from hip to head, divided by the length from her breast and her head, gives us 1.6301. Again, were I only more accurate, I wonder how close Botticelli came to achieving the replication of what God wrought in the oak-leaf and the pineapple. Does is become more difficult to corrupt the female breast into a mindless stimulus for lust when you realize it is in perfect proportion woman in her wholeness, in a striking example of integritas, that pre-requisite of beauty that declares all parts must add to the whole? That is for you to decide.

Speaking of integritas, we mentioned before that it’s not just about the woman herself being displayed with glorifying proportionality, it’s about her proportion to what’s going on around her. (Which is why it is entirely difficult for me to conceive of any situation in which the artistic display of the marital union would be acceptable.) One way the artist puts Venus in proportion to the entire painting, as a beauty to be honored, is by strictly following the rule of thirds and the use of the triangle.

The triangle is apparent; the arms and bodies of those surrounding Venus form it. Again, how does this glorify the beauty of Venus’ naked form while avoiding lust? The triangle in art is a symbol for completeness, developed as such by Christianity in light of the Triune God. Wholeness of form. Perfection. Here I found two main triangles one surrounding Venus – declaring her as the perfection of beauty – and another created by the pose of Venus herself, by the lovely angle of her arms. The latter triangle nestles within the first – not only does she incorporate beauty, she gives it.

You’ll also notice that the very center of the painting is obviously directly below the womb of the nude Venus, the place of birth. Do I need point out that this is in harmony with the whole painting, The Birth of Venus?

So what’s my point? This: Perhaps with an appreciation for the glory the artist gives to the nude form, the porn-addicted man may be aided in avoiding the temptation towards lust when viewing nude art. What does pornography do but degrade women? It says she is nothing more than a stimulus to a watching organism. Through the conveyance of beauty – whether in triangles, the golden ratio, color harmony, the rule of thirds, etc. – the artist is specifically glorifying women. Pornography and beautiful art cannot co-exist, because their messages are inherently different and radically opposed. (Obviously, this applies to the male form as well.)

I do not hold this to be some magic cure. For those suffering from pornography addictions, I beg that you would look into The King’s Men, or New Life Habits, that you would read this, and that you would frequent the sacrament of confession, and that you would do all these first. But I also beg that we, as a culture, as a religion and as individuals would not approach the nude form with a suppressive mindset; with fear. Rather that we might see the human person as God intended us to, through the incredible skill he gave to the artist, who glorifies the naked form in his art.

Puritanism, Hedonism, and Nudity

After writing about the naked body I got a colorful variety of responses, some in absolute and excited agreement with the concept of beauty as a response to pornography, and others who advised readers to stop reading yours truly, as I was clearly preaching heresy. As for myself, the question that arose out of the muddle was, “Why are we so confused?” Why are we so morally conflicted when it comes to nudity?

First of all, it is worth pointing out that the battleground of the Western World is being fought over this stuff. Catholic or non-Catholic, liberal and conservative, we all tend to agree on nonsexual morality. For all practical purposes, we are an anti-slavery, anti-murder, anti-cruelty, anti-bigotry and anti-poverty nation. Rather, it is the issues like abortion, contraception, prostitution, pornography, immodesty, homosexuality – issues that relate directly to human beings as sexual beings – that divide us. So I understand why any discussion of the nude form is, by it’s nature, contentious.

But I hold that this fear of nudity, this utter inability to see nudity as something beautiful except in the instance of marital union, is the result of two opposing heresies, a uniquely disastrous couple that have produced this awkward conflict in America. They are Puritanism and Hedonism.

I don’t suppose I need to prove the existence of Hedonism, that particularly cruel worldview that claims pleasure as the greatest good man can attain. It is wonderfully illustrated by the expanse of pornography available and in use. And as for Puritanism, well, America was founded by Puritans, unfortunately for us all, and their laws influence us today. Thanks to these two’s unlikely relationship, we have delightful contradictions in our society such as:

  • You can have pre-marital sex in your country before you can drink in it.
  • You can get an abortion without parental consent before you can watch an R-rated movie without a parent.
  • You are legally responsible enough to risk the lives of others in a car before you are legally responsible enough to risk your own life by smoking.
  • All employees of all businesses are required by law to was their hands before going to work but in most States, abortion clinics do not have to meet the health standards of hospitals.

So how does this ‘convergence of the twain’ affect our culture’s view of the naked form? Well, in a phrase – by confusing the crap out of it.

Puritanism – the foundation of our democracy – says that all nudity outside of the context of sex is evil. There is no innocent nudity for the Puritan. I hold that it is this puritanical strain that makes certain people cringe when they see a toddler running naked around the yard. It is the heresy that makes people freak out when a mother nurses her child in public. It is of the same stuff that possessed the reformation Popes, when they mutilated an immeasurable wealth of Vatican art by destroying, erasing or pasting over the ‘offensive’ parts of the human body. It sees Aphrodite as evil. It blushes at The David.

Hedonism, on the other hand, says that nudity ain’t worth a blush at all! It seems to be the worldview of one rebelling against Puritanism, as did Hugh Hefner, the creator of Playboy magazine. Why not let everyone wear as little clothing as they like? Why not participate in pornography? Why not seek after lustful pleasure in the naked form? Why not display sexual acts? It is all for our pleasure, and no religious bigotry will hold us back.

The oppressiveness of the one heresy leads to the filth-wallowing of the other. And they are both very clearly wrong.

Enter the American Catholic. Like it or not, both heresies are his environmental influences and affect him as such, even if the effect is positive, like a negative reaction towards porn. But he is an a clearly and remarkably unique situation, in that he is able to easily ignore them in favor of the truth. All he has to do is go to his home in the Vatican, and look up.

There the naked form is displayed as beautiful, neither an evil to be rejected, nor a worthlessness to be abused, but as a good. And thus the Catholic is called to tell, and tell well, the ripples from the rock. If one direction is needlessly suppressive and the other intolerably corruptive, where is the center? Where is the truth that the lies seek to pervert? It is in the proper view of the naked form – the naked form – as part of the human person – is beautiful.

So there you have it. Some people demanded that I erase such images as this, and those in my last post. I respectfully refuse. I understand the reaction, and it is a Puritan one. The beauty of the Church’s position on human nudity is that it meets the crisis of pornography head on. It does not simply scream the extremely ignorable statement that modern Christianity seems to be screaming – “PUT SOME CLOTHES ON!” Rather, she says, “Look. Open your eyes and look. Look at how good, how true and beautiful you are. Look at how fantastically designed humanity is. Do you not know your bodies are temples of the Holy Spirit? Of course you don’t! How could you, children, when you spend your time covering them or abusing them? Try again. One more time. Instead of all this fear, look and see the beauty in yourself, in your brothers and sisters, and thus in the Creator.”

Isn’t that more like it? Instead of demanding that we cover ourselves, the Church – with it’s fantastic armory of nude art – reminds us why we cover ourselves at all. It is because we have goodness and beauty worth protecting.

The Best Porn in the World

The word ‘pornography’ means “writing about whores”, from the Greek pórnē – harlots. Now it would seem to follow that best pornography in the world would have to display the best harlots. But the best harlot - by the true meaning of the word best - is a forgiven harlot, like Mary Magdalene, who makes the radical shift from the rotten to the whole. And if she is whole, she is no longer a harlot. She is a virgin. Unfortunately, there is no word for “writing about virgins”, so I will make one up – virgography. Virgography is the best pornography. (With all apologies to Lady Logic.)

Blessed John Paul II – a boss in all respects – when asked for a solution to the crisis of pornography, did something fantastic: He commissioned artists to create and display more art of the Virgin Mary, especially of the Virgin breastfeeding. His answer to the problem of porn was not the lack of nudity – it was nudity. It was not to simply avoid pornography, to tiptoe around it and run whenever it reared its head (though for many of us men, this is the best response) – it was to crush “writing about harlots” by “writing about virgins.” To check vice with virtue, yes, but even more than that. Pornography is to be destroyed by beauty.

To be clear: I believe that the cure for the addiction so many have to the illicit viewing naked women is in fact…naked women. This admittedly-in-need-of-a-lot-of-justification statement goes back to St. Thomas Aquinas’ objective definition of beauty. (If you plan on following this blog, memorize this; my life philosophy is blossoming around it:)

St. Thomas identified the three necessary attributes for something to be considered beautiful, Integritas, Consonantia, and Claritas. If a thing lacks any one of these, it may very well be likable, but it is not beautiful.

Integritas means completion of form. Perfection. Wholeness. All the parts of a thing must serve the purpose of the whole. Consonantia means due proportion or harmony. This means harmony of all the parts, but also the harmony of the thing to its surroundings. (For instance, while dancing is a beautiful thing, liturgical dancing is a bad joke.) And, last but not least, Claritas means radiance. Is the beauty clear? Does it convey?  Or is it simply a good-looking mess?

Now the problem with porn is not simply that it is a sinful, harmful thing. This is true, but what makes porn so killing is that it is the corruption of a beautiful thing. Sex is beautiful. The naked form is beautiful. The naked woman is the most beautiful creation in the entire universe. Pornography contains all of these things, and yet – like the stupid kid who, given paper and crayons, eats the crayons and throws up on the paper – pornography manages to be ugly. Why?

Well first of all, it lacks Integritas. Obviously, I can’t get too graphic in my explanation, but let me put it this way: A pair of breasts is not a woman. Most of pornography is a focus on the parts of the body, rarely ever the whole. And thus there is no completeness of form, only the reduction of the porn-viewer to an organism. No longer does he see a woman, he sees a stimuli, and he responds accordingly.

It lacks Consonantia. It reaaaallly lacks Consonantia. Not only does pornographic sex refuse sex the proportion it is due – necessarily neglecting to show such trivialities as emotion, commitment, sanctity, joy, the fact of procreation, etc. – it is also out of proportion in the way it is displayed. Tangoing, I am told, takes two. Sex has been reshaped to mean a lot of things in our dear modern age, but the one thing it remains is relational. To get psyched about not being involved in an event that by its nature requires a lot of involvement is one of the most incongruous situations of our time. To settle down in front of your computer screen to not be involved in the sexual act is sadly out of proportion with what sex is meant to be. Sex is the least vicarious act in a human being’s life. Porn makes it the most.

And of course, pornography lacks Claritas. Sex, like it or not, is a message. It is a message of commitment. Even if it is but a one-night-stand with a woman you’ll never see or care to see again, your body doesn’t know that. Your body is busy producing oxytocin, chemically bonding you to the individual you’re with, ‘remembering’ his or her smell, taste, and feel in little cells on your spine. This message is destroyed by pornography, and thus men and women become so sadly addicted to the pixelated representations of men and women long dead by S.T.D’s.

But everyone knows this. Or rather, no one believes that pornography is beautiful, least of all the people involved in the actual industry. In fact, they usually glorify its very ugliness. This glorification crosses over to our general culture. It seems to be why today’s “sexy” look usually amounts to a woman snarling at you, or, as Billy Collins put it in his marvelous poem, Victoria’s Secret:

...Nor does the one directly beneath her/ look particularly happy to see me. / She is arching one eyebrow slightly / as if to say, so what if I am wearing nothing / but this stretch panne velvet bodysuit / with a low sweetheart neckline featuring / molded cups and adjustable straps. / Do you have a problem with that?!...

The real question is: How is the masterpiece of the naked form beautiful? What is the difference between the Birth of Venus, and soft-core porn of a naked woman on a shell? Why did Blessed John Paul II advocate nude art as a knife to the heart of pornography? I’ll tell you. Real, authentic portrayals of the naked form fulfill the prerequisites for beauty, and beauty points to God, not to sin.

A beautiful piece of art glorifies the human body by its attention to detail; in its commitment to Integritas. I’m no painter, but this much seems apparent: The artist uses every detail to add the overall focus of the painting. Every piece – every minutia of shading, triangular formation, use of the golden ratio,  the piece’s location, background, foreground, coloring, situation, form, the stance of the model, the symbols, the motifs, even the frame – everything is used by the artist to convey a truth, to convey a message. The parts add to the whole. Compare such a method to that of pornography, where the parts are used based on what stimulus an organism best responds to. It may be well lit, but it is lit to obscure, not to reveal. It may be airbrushed and photoshopped, but these are lies, not efforts to reveal the truth. Pornography is the artist who sells out and draws whatever people tell him to, hoping to sell a million copies to Target.

But what of Consantania? Harmony is apparent within the painting itself – in color, form etc. –  but what of the painting’s harmony to the world? Surely the masterly artwork of the naked woman puts us in the same position that pornography does? After all, is relationship not still required? Surely an image of a naked woman is out of the proportion in which she is supposed to exist, simply because it is an image?

Let me explain. While it takes two to tango, as we’ve previously established, it needn’t take two to admire. That is the difference. Pornography sets up an explicitly relational situation – sex, seduction – while making relationship entirely impossible. It is a contradiction; there is utterly no harmony between having and not-having. The portrayal of the naked form in beautiful art, however, does not aim to seduce. The artist does not draw to evoke reactions of lust – for he gives up his role as an artist if he does – he draws to convey beauty. And the admiration of beauty is something you can do on your own. Think on this. It is downright creepy – and certainly not beautiful – for a man to spy on a woman and lust after her. Is it the same for a man who sees a woman – though she does not see him – and thinks she might be the most breathtakingly beautiful being in existence? Both situations lack a relationship; the first represents porn, the other represents art.

And good old Claritas, rounding things up for us. The portrayal of the naked form in art need very little defense in this manner. Let me put it to you in the form of a question: Who among you have seen pornography and been ennobled, walking away with some truth, some knowledge of God or self? Who has received a message from pornography? (And here I don’t mean from the fact of pornography, which delivers all sorts of messages; boredom, lust, apathy, etc.) But the truly beautiful portrayal of the naked form is always making its mark on man’s open soul.

So why does the beautiful kill pornography? Because the beauty speaks the truth about the naked form. The body is beautiful, incredibly designed. It inspires poetry in man. It is functional – breasts are for nursing babies as much as they are aesthetically gorgeous. It is awesome. The naked woman is made in God’s image, and thus the accurate portrayal of her is always an experience of God. After all, since beauty comes from the Creator, anything beautiful speaks his name. This is not to say that a porn-addict could not look at these paintings and pervert them to the point of lust. He could, but it would take work. It would take a denial of the truth, an internal corruption of external beauty to achieve. And why would anyone seek to pervert beauty into ugliness when ugliness is so readily available? If he is going to pervert external beauty, that is not the fault of the artist, nor of the displayer of beauty.

But what may happen is this. A porn-addict may see an image of the nursing Virgin, of Venus on the foam, and try to internally corrupt it to bring him lustful pleasure. But since he must try, he may very well fail. In fact, I maintain that it is extremely likely that he will fail. And then what? He cannot watch porn without the realization that the human body is something that cannot always be easily objectified. He sees something good and true and beautiful in the naked form, a goodness that prevents him from lust. The whole reality of pornography is called into question, because something – even if he has no idea what it is – is missing. The whole idea behind porn that “this is so awesome, fulfilling, daring!” is exposed, and the words of our late Pope may arise unbidden in the addict’s consciousness, that the problem with pornography is not that it shows too much of the person, but that it shows far too little. The lie of pornography is exposed, and by a naked woman.