When King Solomon said that there was nothing new under the sun he had obviously never heard of Mumford & Sons. Of course I am speaking tongue in cheek, but this British folk band represents something that (while not being entirely new) is hard to find in the music world. They play on subtlety and the understated in a beautiful way.
As you listen to the various tracks on their only full album “Sigh No More” you get a sense that they are speaking of love, yes, but of something so much more too. Their lyrics represent an idea of love that seems very Biblical (a definition almost unheard of today, even in “Christian” music). But more than that they write, with subtlety and understatement, about a love that has its roots in something greater than human relationships. So, for example, in “Winter Winds,” they write:
The shame that sent me off from the God that I once loved
Was the same that sent me into your arms
And pestilence has won when you are lost and I am gone
And no hope, no hope, will overcome
These lyrics seem to suggest that love that is temporal only has no lasting power. Think too of these lyrics, from “Roll Away Your Stone”:
It seems that all my bridges have been burnt
But you say that’s exactly how this grace thing works
It’s not the long walk home that will change this heart
But the welcome I receive with the restart
There are countless lyrics like these two examples that suggest of a possible deep love and affection for Christ, and yet it cannot be certain simply from listening to the music. It may sound strange to some, but that is in fact precisely why I love this album: the subtlety and even ambiguity of the lyrics (along with the amazing musical quality). Lyrics like those found in the opening lines of “White Blank Page” are the kind that stir me to contemplate deeper affections:
And give you her your heart
Your heart, as well as your body
And can you lie next to her
And confess your love
Your love, as well as your folly
And can you kneel before the king
And say I’m clean, I’m clean
What does that mean? I am not certain, but I hear it and I think to myself: can I love my wife in such a way, can a dating couple love in such a way as to remain pure before the King? Now I’ll grant that “Little Lion Man” drops the “F-bomb” and many Christians will be appalled by that, and understandably so. But there is so much thoughtfulness and understatement in this album that I can’t help but appreciate it.
Whether Mumford & Sons turn out to be in fact speaking of Christ or not this album’s subtlety does represent the grace of God. And not only because they speak of grace in a Biblical way (as in the lyrics listed above), but because all truth is God’s truth (we call this Common Grace)…even truth found in British folk songs.