The Moviegoer: "Once Upon a Time in Anatolia," and Narration as the Longing for Innocence

You need to watch Anatolia close enough to narrate the details for yourself; you may, like me, need–more than that, desire–to watch this film more than once. All the while, the film asks: What are we to make of this phenomenon?

The Moviegoer: Bourne of Green Pills and Blue Pills

“The latest Bourne iteration is not quite as satisfying because it lacks the compelling moral-identity politics which made the action sets engrossing and not merely exciting.”

The Dark Knight Rises and Truth Has its Day

Can Batman succeed at leveraging darkness to pursue the light?

The Moviegoer: Spider-Man’s Amazing, but is he Good?

This is a high schooler who is still haunted by the sudden abandonment of his parents, still wrestling with his Uncle’s death and his role in it, still . . . too self-conscious to be unambiguously good.

The Moviegoer: "Moonrise Kingdom" and the Covenant Ties that Bind

“‘Moonrise Kingdom’ mirrors the Noah story in that the floods of judgment bring about re-creation, a fresh harvest which yields quality crops — and relationships.”

The Moviegoer: The Girl with the Bear of a Problem

“What makes Brave satisfying is that it ultimately supports Merida’s quest for individuation, while also warning against desire for the kind of freedom which would promote self over others.”

The Moviegoer: "Prometheus" Confounds

While this summer blockbuster’s ambition to explore humanity’s most pivotal questions is admirable, Prometheus is ultimately less insightful than it is convoluted.

Eat Your Vegetables: Lola rennt and Dramatic Irony as Love's Performance

“This movie is conflicted. On the one hand, the movie tells us, “Don’t think. Act.” On the other hand, it shows us that when we don’t think, our actions have horrible consequences.”

The Moviegoer: Snow White Fails to Inspire

The most consistent summation of Snow White that I’ve seen is that it is a “missed opportunity,” and this seems an apt description.

Eat Your Vegetables: Where are the Wild Things?

“Where the Wild Things Are is not a kids’ film. It’s an adult film about the moment where the adult world becomes tangible enough for a child to cause problems but too far away for the kid to do anything about it.”