
Each week in The Moviegoer, Nick Olson examines new and upcoming films. I went into Baz Luhrmann’s adaptation of The Great Gatsby with some reluctance. Luhrmann’s penchant for superabundant style–made famous by Moulin Rouge, whose popularity still escapes me–could go one of two ways insofar as it is a competent filmic rendering of F. Scott Fitzgerald’s [...]























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