The Final Word on Thomas Kinkade

  Thomas Kinkade My theological analysis of Thomas Kinkade’s work (“The Dark Light of Thomas Kinkade”) was an attempt to make sense of my abiding discomfort with his work as well as respond to my dissatisfaction with the commentary it has generated over the years. Neither his supporters nor his critics have offered compelling arguments. [Read More...]

The Dark Light of Thomas Kinkade

Hans Holbein the Younger, The Body of the Dead Christ in the Tomb, 1520-22, oil on panel, Öffentliche Kunstsammlung, Basel. In The Idiot (1869), Dostoyevsky’s Prince Mishkin notices a reproduction of Holbein’s Dead Christ on the wall in Rogozhin’s house, and observes that it has the power to make one lose their Christian faith. The [Read More...]

The Scream, a Stuffed Shark, and the Insecurity of Culture

Last week I took the opportunity of the record sale at auction of Edvard Munch’s masterpiece, The Scream (1895) to reflect on Munch and his work from a theological perspective. But the auctions themselves, which achieved record prices for several artists, raise their own set of theological questions that are more productive and interesting than most [Read More...]


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