The Scream, a Stuffed Shark, and the Insecurity of Culture

Last week I took the opportunity of the record sale at auction of Edvard Munch’s masterpiece, The Scream (1895) to reflect on Munch and his work from a theological perspective. But the auctions themselves, which achieved record prices for several artists, raise their own set of theological questions that are more productive and interesting than most [Read More...]

The Scream

Edvard Munch, The Scream, 1895 Last week one of Edvard Munch’s four versions of The Scream (1895) sold at auction for a record price of $120 million. An icon of modernism, The Scream was made by a truly great but complicated artist whose remarkable body of work produced throughout his sixty-year career put a sizable [Read More...]


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