A Buffalo ’66 Theology of Culture

We live in a bipolar and schizophrenic culture. On one hand it is extremely crude and licentious and on the other, excruciatingly puritanical and legalistic. A robust and mature Christian cultural witness recognizes that this is two sides of the same coin, and thus resists the temptation to reduce the radicality of the gospel into [Read More...]

Bearing Cultural Witness

Poet and Editor Aleksandr Tvardovsky It was Aleksandr Tvardovsky’s habit to lounge about his apartment in his bathrobe looking at the manuscripts that littered his living quarters. As editor of the liberal magazine Novy Mir in the Soviet Union during the height of the Cold War, Tvardovsky was well known as a Soviet poet as well [Read More...]

Art after the Fifth Grade and beyond Sunday School

  I am in Hyderabad, India to lead a track on arts and ministry design at the YCL (Young Creative Leaders) conference, and I look forward to sharing my reflections on the conference in the weeks to come. But for now, I’ve reprinted (and slightly revised) a book review that appeared in Comment magazine in [Read More...]

Concluding Thoughts on Thomas Kinkade

Thomas Kinkade has been an easy target for art critics. But my decision to write about his work, with “The Dark Light of Thomas Kinkade” and the “The Final Word on Thomas Kinkade,” was an attempt to explore a different path toward understanding the challenges that it posed to my work as an art critic [Read More...]

LIBERATE Launches Today

  When I am not writing about art, culture, and theology here at Patheos, I serve as Director of Theological & Cultural Practices at Coral Ridge Presbyterian Church in Fort Lauderdale, Florida, and my chief responsibility is curator of LIBERATE, the online resource ministry of Senior Pastor Tullian Tchividjian. The website launches this afternoon at [Read More...]

The Final Word on Thomas Kinkade

  Thomas Kinkade My theological analysis of Thomas Kinkade’s work (“The Dark Light of Thomas Kinkade”) was an attempt to make sense of my abiding discomfort with his work as well as respond to my dissatisfaction with the commentary it has generated over the years. Neither his supporters nor his critics have offered compelling arguments. [Read More...]

The Dark Light of Thomas Kinkade

Hans Holbein the Younger, The Body of the Dead Christ in the Tomb, 1520-22, oil on panel, Öffentliche Kunstsammlung, Basel. In The Idiot (1869), Dostoyevsky’s Prince Mishkin notices a reproduction of Holbein’s Dead Christ on the wall in Rogozhin’s house, and observes that it has the power to make one lose their Christian faith. The [Read More...]


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