A Merry Middle-Class Christmas

Bob, my mother’s boyfriend, will argue that Happy Days jumped the shark several seasons before Fonzie actually strapped on his water skis. In his view, the show’s lethal injection with schmaltz came the moment the Fonz sat down with the Cunninghams around their Christmas tree and read “The Night Before Christmas.” When the onetime breakout character paused between stanzas to ask, “Can you dig it,” Bob saw the handwriting on the wall. “That,” he’ll say, “was when you knew they were out to sell lunchboxes.”

Though Bob may be right in a limited way – I had one of those lunchboxes – Fonzie’s giddiness at having been delivered (by Richie and Mr. C) from an evening over his hot plate manifests a profound truth. Every fringe character needs at least one solid contact in the middle class. Sociologists define the middle class according to various criteria, but I’ll extend membership to anyone who owns more than one vehicle and the 2,000-plus square feet he lives in. That definition excludes me; it includes my friend Rick and his wife, who played the Cunninghams to my Fonzarelli this past Christmas.

Rick and I owe our entire friendship to my tumble down the American social pyramid. When I quit graduate school, I also excised myself from my circle of friends. It seemed like the morally coherent thing to do: if failure shouldn’t entail social ruin, what should? I cast myself as the disgraced cadet in a B-movie set in a military academy, the one who walks a gantlet of his former comrades. As he passes, they turn their backs to him, formalizing the end of their peerhood. In more practical terms, I did not care to torment myself with reminders of my old schoolmates’ success. Several months after 9/11, I happened to notice a friend’s byline on a Newsweek report from Afghanistan. Since then, scarcely a day has passed when I haven’t dreamed of burying a hatchet in his breast.

Victor Hugo writes of “that bastard class composed of coarse people who have been successful, and of intelligent people who have descended.” That is where I ended up, and I found Rick waiting for me. He was co-owner and co-founder of the debt consolidation firm where I applied to work. Perhaps my lingering grad-student airs made me stand out from the rest of Rick’s work force, since Rick befriended me at once. His friendship carried certain practical benefits: I stayed on the payroll long after I’d proved my incompetence, and was spared tongue-lashings for the times I returned from cigarette breaks with reeking half-smoked butts in my pack.

I did not envy Rick his success because, deep down, I couldn’t respect it. His operation danced on the very threshold of fraud. To my eye, the wilted flower children and parolees who occupied his sales floor looked like gibbering goblins. Their comfort with cold-calling seemed related to a general unconcern for personal boundaries. “Hey, Bro,” one would begin – only to follow up with the details of an arrest, a tooth extraction or a caesarian section. If presumption made a good closer, I was proud to be a bad one.

In certain respects, Rick looked like the Best in Show member of their species. He did not speak so much as he barked. And, dear me, what he barked! N-words and c-words poured freely from his throat, along with one of the f-words. (En Riquais, gay men were “pickle-sniffers.”) To me, still close enough to the academy that I spoke of rubrics in casual conversation, friendship with Rick was Spring Break – a fun diversion that could not possibly endure.

But as Rick and I began spending weekends together, I came to see that his speech and the way he earned his living were the only coarse things about him. A self-taught chef and bona fide foodie, he disdained anything fried and could discern the quality of olive oil blindfolded. He took his vacations to places like San Francisco and Europe, where he could, as he put it, “start the morning with an espresso and a baguette, read the newspaper, then see me some fucking art.” Despite working an industry where a black Escalade marked the successful player, Rick opted for a silver BMW M3 – Continental elegance with a hussar regiment under the hood. Saturday mornings found him flying down the Hohokam Expressway at 160 miles per hour and dreaming about Autobahns.

In the years that followed, Rick nurtured his inner bon vivant and became a solid citizen while I discovered my inner scumbag. Riding high through boom and bust alike, Rick took to wearing Italian loafers, married a Montessori kindergarten teacher and moved to a house with tile floors and 14-foot ceilings. After making a number of lateral moves – from Rick’s company, to mortgages, to Bob Cratchitlike jobs in banking – I found myself in the spiritual trap of near-poverty. Unable to afford soul-expanders like travel, education or love, I settled for soul-contractors like booze and drugs. I began talking like Rick – or rather, like Rick had talked when I first met him. When your bosses demand you adopt Jamie Dimon’s vocabulary on John Henry’s wages, the c-word can ring like a clarion call.

Despite my declining fortunes, through my darkening moods, Rick remained my friend. Over the same period, the condescension I’d once felt evolved into something approaching reverence. Now that I saw the narrowness of the corporate ladder, Rick looked like a prophet for having stayed off the thing altogether. If he made his fortune by exploiting the weak and gullible – well, who didn’t? Certainly he was no worse than the bank that held the adjustable-rate mortgages it paid me to foreclose on.

And yet, that Rick never polished his act completely helped preserve the illusion of parity between us. I have never seen him type a capital letter; I would not swear he knows what they are. When he calls on me to draft a business letter, or coach him on the spelling of prosciutto, he is reminding me that my one-and-a-half degrees are not quite worthless.

This Christmas, as I sat on Rick’s leather sofa beneath his high ceiling, eating his organic turkey, watching The Longest Day on his 50-inch plasma screen TV and nuzzling his purebred basset hound, I committed the humblest act any egotist is capable of. I allowed myself to live vicariously through Rick. For those happy hours, his life and his tchotchkes became mine, and I became a respectable bourgeois by association. Just before the holiday, a friend wrote to express the hope that I’d be “surrounded by love.” Well, I was — but I was also surrounded by stuff. Sometimes one’s as good as the other.

Pepper-Spray Cop and the Humor of Despair

Salon’s Mary Elizabeth Williams thinks very highly of the “Pepper-Spray Cop” internet meme, which in its various forms spoofs UC Davis police officer John Pike. Last Wednesday, Pike was captured on video, pepper-spraying a row of demonstrators, who were sitting with limbs interlocked to protest the removal of their tents. Now, thanks to Photoshop and the muse, Pike gets up to all sorts of monkeyshines. Visitors to one Tumblr account, for example, can catch him blasting Rembrandt’s Prodigal Son, and the naked luncher in Manet’s Le Dejeuner sur l’Herbe. Williams proclaims it a “geeky triumph,” proof that “If you want to vanquish the enemy, render him absurd.”

But a little later on, Williams gets confused and turns her declaration of victory on its head: “We don’t laugh at the Pikes of the world because we are not incensed at their abuses of power or because we don’t take their actions seriously,” she writes. “We do it because we take them very seriously, indeed. But without billy clubs and guns and tear gas, sometimes, laughter is the only weapon we’ve got.”

The humor of the powerless goes by the name gallows humor. Any joke in that tradition hinges on the inevitability of disappointment and misery. It is not without its fortifying effects. Freud (whose quote, I admit, I’m lifting from Wikipedia), wrote: “The ego refuses to be distressed by the provocations of reality, to let itself be compelled to suffer. It insists that it cannot be affected by the traumas of the external world; it shows, in fact, that such traumas are no more than occasions for it to gain pleasure.” In other words, gallows humor shows the bad guys that they can kill you but not eat you. Or your cigar. Or whatever.

Johnny Cash’s novelty hit, “Twenty-Five Minutes to Go,” is an example of gallows humor set on an actual gallows. Indeed, a gallows is the perfect place for it. Knowing Johnny Cash, there’s probably a damn good reason the guy in the song is about to be married off to the ropemaker’s daughter. His fate represents no wrong, and demands no redress. If showing off his ego strength on the way will make him feel better, then he might as well go for it. Society can afford to indulge him that far; in fact, in those days when hangings at Tyburn drew mobs, a “good death” ensured everyone went home feeling a little better.

In Born to Kvetch, Michael Wex explains the art of the klole, or Yiddish malediction, which worked by turning a listener’s own morbid imagination against him. My pick from this genre is: “May you grow strong and healthy…and always have to ask what the weather’s like outside.” Since what’s confining the victim can’t be a physical problem, only three possibilities remain: 1) he’s been pinched by the Okhrana and banged up in the dread Fortress of Ss. Peter and Paul; 2) he’s gone barking mad; or 3) first one, then t’other. Orthodox Jews of the 19th century believed irritations like tsarist tyranny and schizophrenia were the Messiah’s to correct. In the meantime, why not laugh at them, especially if you could make the joke at someone else’s expense?

But this here is America, not Anatevka. We’re not fiddlers on the roof, nor were the kids at Davis train-robbing gunslingers. Historically, we Americans have believed that when police officers use excessive force against people who are annoying but harmless, then someone damn well ought to do something. Some folks already have. My admiration goes to whoever placed Lieutenant Pike and UC Davis Police Chief Annette Spicuzza on administrative leave, as well as the general assembly that voted to stage a university-wide strike. These are the kinds of gestures that make the abuse of power into a bad career move.

When Thomas Hoepker released a photo of five Brooklynites sitting by the waterfront and watching the Twin Towers smolder, New York Times columnist Frank Rich read into their attitude a self-destructive casualness. His reading turned out, very quickly, to have been a misreading. Some of the people who appeared in the photo identified themselves and declared for the record they’d been as stressed out as anyone else, whether or not they happened to look it. I won’t make that mistake about the “Pepper-Spray Cop” meme-smiths: they’re obviously acting from a sincere and well-founded outrage. Besides, the Photoshopped images are a hoot.

But I do wonder whether Americans are coming to share Williams’ sense that “laughter is the only weapon we’ve got.” In his travel essay, “Thirty-Six Hours in Managua,” P.J. O’Rourke writes mournfully that Nicaraguans under the Sandinista government were losing “that loud, rude, cynical Latin American laugh.” Instead, they were adopting the dry “humor of perfect resignation” he’d found beyond the Iron Curtain. O’Rourke cites as an example the guide who showed him a burned-out factory and explained that it now belonged to the workers.

These days, with the economy in tatters and the middle class an endangered species, something seems broken. OWS activism is a product of desperation, and just beyond desperation lies despair. Rather than laughing at the absurdity of a cop pepper-spraying, say, Seurat’s picnickers, are we actually armoring ourselves in expectation of a world where such an event might not be so absurd at all?

Mr. President, Tax These Trees!

When I was very young, before we moved to Manhattan from the Newark suburbs, my mother divided people into two categories: those who put up real trees on Christmas, and those who went artificial. Without explaining exactly why, she made it clear that artificial tree-buyers were beneath contempt. All of her friends put up natural trees, if they weren’t too bohemian or too Jewish to disdain the holiday altogether. Either coincidentally, or because I followed her cues, so did all of mine.

It wasn’t until I was 18 and away at college that I began to understand the logic behind my mother’s aversion. Watching Goodfellas, which had hit theaters the previous week, I saw Ray Liotta burst onto the screen, screaming, “KAREN! I GOT THE MOST EXPENSIVE TREE THEY HAD!” The tree he was carrying was white, obviously to symbolize the source of the family income. I got the message: people who chose artificial trees were all gangsters. They kept mistresses in Ozone Park crash pads decorated by Maurice Valencia, and shot nice black guitarists in the back of the head. My mother had not raised me to be a snob, but this crowd was clearly Not Quite Our Kind, Dear.

Since then, this view has softened somewhat, though more from time than direct exposure. In all my life, I’ve spent exactly one Christmas at a home with an artificial tree. It belonged to — hopefully I’m getting this right — my buddy’s girlfriend’s grandmother. The good woman greeted us on Christmas morning, having fixed enough food for two dozen people. Before anyone had eaten so much a toe of his gingerbread man, she vanished on some mysterious family business. A couple of hours later, the girlfriend’s sister showed up and announced that her ex-husband had hanged himself. The four of us — me, buddy, girlfriend, sister — spent the next three days sitting on the living room floor, in our underwear, watching Blair Witch Project in a continuous loop as we ate turkey and trifle and three-bean salad with our hands. It must have been something in the artificial pine scent.

This hermeneutic of suspicion roared back to life yesterday, when President Obama caved in to public outcry and abandoned plans to tax fresh-cut natural Christmas trees at $0.15 per. I like a balanced budget as well as the next person, but it seems a little draconian to tax an item with its obsolescence built in so firmly. Even a beloved and pampered Douglas fir or blue spruce will last till St. Patrick‘s Day, at the latest. If the government wants to stimulate the Christmas-tree trade, let it claim its tunnage and poundage from artificial trees, any of which can last, by the look of the things, as long as a casket.

A tax on artificial trees would be fair in the conservative sense, since it would also be flat. The sticker prices for man-made trees vary astoundingly. At the happy medium, you’ve got your Vickerman Flocked Alaska 78-incher with clear G50 lights selling for $350 online. If you really want the Escalade of ersatz evergreens, you’ll go for the seven-and-a-half-foot Blackfoot at ChristmasTreesGalore. According to the catalogue, it’s both “pre-lit” and “full,” like the ideal Christmas dinner guest. If you need to ask how much that baby’ll run you, you might want to think about lowering your sights a little — say, in the direction of the Classic Pine Pre-Lit Pencil. Starting at $199, it’s a steal, especially since, being both green and unmistakably phallic, it could return to duty at Beltane.

A tax of $0.15 on every tree, regardless of size, shape or sweep would be a tip of the stocking cap to our nation’s top earners, and might even incentivize upgrading. Come on — a once-in-a-lifetime tax on a once-in-a-lifetime tree, and you’re going to settle for that thing? That four-foot Piedmont Fir? That Cheri Oteri of factory-built Abies pinsapo? Who in hell are you, anyway, Amish? Go on, Charlie Brown, try catching snowflakes on your tongue — it’s fun! It’s for the kids, isn’t it?

Yes, the tax might get passed on to the consumer, but with that kind of value, how would he notice? He’s not paying extra for lights, since they’re built into the very branches. Intuition tells me members of the artificial-tree demographic are not the types to beggar themselves at UNICEF gift shops, buying wooden Saint Niklauses and Zwarte Piets hand-painted by children in the slums of Jakarta. A black market? Fugghedaboutit. The kind of workmanship that goes into making a Carver Frasier pre-lit LED can’t be duplicated by just anyone with a shed, a few undocumented immigrants, and a copy of Atlas Shrugged. To put it another way, those beauties don’t grow on trees.