Inside the Coen Brothers or Llewyn Davis Unclothed

Inside Llewyn Davis

Despite what many critics have proclaimed, Inside Llewyn Davis is not the best film of the year.  It is not the best film of the Coen Brothers’ career.  It has remarkably melancholy music, but it doesn’t offer more than one recurring note.   It is dark; really dark.   Filmmakers (and especially cinematographers) love to get deep blacks on their images.   Inside Llewyn Davis has great blacks.  It makes evocative use of the dark shadows in the corners of every scene.   They hang over the Gaslight C … [Read more...]


mandela movie idris elba

I hosted a screening of Mandela:  Long Walk to Freedom just two nights before Nelson Mandela died.   The legacy of Mandiba was already in the forefront of my mind before the news of his passing.  It will be tough to ever separate the movie (and its Christmas release) from the timing of his death.   Audience interest in Idris Elba as Mandela will widen following his funeral in South Africa.   The resulting box office and Oscar boost for the Weinstein Company will be considerable.  Mandela:  Long W … [Read more...]



The mostly rave reviews are rolling in.   Advance ticket sales already make it another smash.  Why bother critiquing such a pop cultural juggernaut?   Because millions of impressionable teens will see The Hunger Games:  Catching Fire at a time when they are developing their identities and exploring what bravery, courage, and responsibility look like.    How might parents, teachers, and adolescents respond to the latest tale of Katniss Everdeen and the 75th Annual Hunger Games (The Quarter Quell!) … [Read more...]

12 YEARS A SLAVE: Absolutely Essential


How long can a movie stick with you?  Some popcorn flicks are so forgettable; they fade before the credits end.   Such temporary respites barely hold boredom at bay.  The best films may carry over to Monday morning and become worthy of a water cooler conversation.   In the month since I saw 12 Years a Slave, I have thought about it every single day.  No particular social cues resurrected the torture, terror, and exploitation of others found in 12 Years.   But the extended scenes of suffering are … [Read more...]


Short Term 12

It has been a strong season for independent film, from the Southern gothic MUD to the inner city tale, FRUITVALE, and the nostalgic comedy, THE WAY WAY BACK.   The freshest, funniest, and most original film of the summer slips into theaters as students head back to school.   SHORT TERM 12 captures the angst of adolescence in raw, riveting and revelatory ways.   It focuses upon teenagers who are neglected and overlooked, offering them the dignity they richly deserve.  Brie Larson stars as Grac … [Read more...]

FRUITVALE STATION: Oscar, Trayvon, and Us


There has been plenty of heat generated by the jury’s verdict in the George Zimmerman trial.   I have read so many heartfelt responses and blog posts in an effort to understand what transpired.   Some have been more helpful and insightful than others.   With the Florida jurors now chiming in, Trayvon Martin’s shortened life may be buried under the rush for television ratings.   That is why Fruitvale Station is such a timely and important movie.   It allows us to step into the shoes of another you … [Read more...]

Making Hay in the Man of Steel’s Cornfields


 Some loved the reimagining of the Superman story in Man of Steel.   Others were not impressed by the wall-to-wall action that culminates in an uncharacteristic act by Kal-El.  Millions of fanboys and fangirls are definitely discussing it online.   I contributed to the heat surrounding the marketing of Man of Steel to the Christian community by penning sermon notes available at   Eric Marrapodi at CNN’s “BeliefBlog” noted how pastors have both embraced and reje … [Read more...]

MUD: McConaughey on the Mississippi is an instant classic


Searching for a movie full of heart and soul?   Mud is a scrappy bit of Americana, hewn from the banks of the Mississippi River.   Filmmaker Jeff Nichols taps into his Arkansas roots to craft an instant classic, like Tom Sawyer, circa 2013.    But Mud isn’t just a sentimental glance back to life on the Mississippi.   It is a heartfelt paean to the power of love amidst trying circumstances.   The crippling effects of poverty may threaten families and undermine stability, but the desire to build a … [Read more...]



To the Wonder aspires to nothing less than showing us Absolute Reality in the face of brokenness.  It is a sun kissed paean to the power of love that unfolds at a maddening pace.   Director Terrence Malick has made a ballet, a symphony, a kaleidoscope that harkens back to the glory and simplicity of silent film.   Cinematographer Emmanuel Lubezki captures luminescent moments.  Five editors (!) were called upon to craft the free flowing improvisation into musical passages.   It is cinematic sympho … [Read more...]



On the occasion of Roger Ebert’s funeral, I pause to offer two days of appreciation.   My movie love preceded “Siskel & Ebert At the Movies,” but not by much.   For my generation of film fans, they were the key critics at the right moment.    Their weekly, televised reviews arrived in the eighties at the same time that so many classic movies arrived on home video.   What had previously been the province of film societies suddenly opened up to a much broader audience.   Gene Siskel and Roger E … [Read more...]