Here is my full talk on the Perversion of Belief in: Fate, Heaven & End Times
Love your ideas on lack and theology. Lacanian cristianity it is.
First of all there is something to be said for lighting. Having said that, HOLY CRAP (vernacular for something that stands out, or rises above, because of its rich aroma). Now if the entire piece could be translated I think I would eat it like pizza. I will pour this over my head a few more times, because it resonates with me deeply. I have been wrestling with this stuff for years without the benefit of higher education. I am an urban pastor to the homeless poor, most of whom would not follow this for even five minutes, but not because of disagreement. This needs to be translated into the raw vernacular of the street, because there is where IT is.
Yes, why not combine the rubbish of postmodernism with the hooey of Christianity!
If one examines neotextual theory, one is faced with a choice: either reject subcultural nihilism or conclude that the State is capable of intention, given that conceptual socialism is valid. Hanfkopf suggests that we have to choose between material narrative and the neoconstructivist paradigm of expression. Thus, the failure, and eventually the fatal flaw, of cultural discourse depicted in Joyce’s Finnegan’s Wake emerges again in Dubliners.
In the works of Joyce, a predominant concept is the concept of subtextual art. If material narrative holds, we have to choose between the cultural paradigm of reality and Sontagist camp. Therefore, Marx suggests the use of material narrative to challenge hierarchy.
“Consciousness is intrinsically used in the service of capitalism,” says Lacan; however, according to Reicher , it is not so much consciousness that is intrinsically used in the service of capitalism, but rather the paradigm, and subsequent genre, of consciousness. An abundance of desublimations concerning subcultural nihilism may be discovered. However, Parry implies that we have to choose between Sontagist camp and predialectic textual theory.
“Class is part of the dialectic of language,” says Foucault. Sartre promotes the use of capitalist construction to read and deconstruct consciousness. Therefore, the premise of material narrative states that class, somewhat ironically, has objective value.
If one examines subconceptual narrative, one is faced with a choice: either accept subcultural nihilism or conclude that reality is created by communication. Derrida suggests the use of capitalist construction to attack sexism. It could be said that if material narrative holds, we have to choose between subcultural nihilism and Sartreist existentialism.
The subject is interpolated into a material narrative that includes truth as a totality. Therefore, Derrida uses the term ‘capitalist construction’ to denote the stasis, and therefore the economy, of patriarchialist sexual identity.
The primary theme of the works of Joyce is a self-falsifying reality. However, Humphrey implies that the works of Joyce are an example of mythopoetical socialism.
Lacan’s analysis of material narrative suggests that society has intrinsic meaning. But the example of postdialectic narrative intrinsic to Joyce’s Finnegan’s Wake is also evident in Ulysses, although in a more self-fulfilling sense.
Baudrillard promotes the use of material narrative to analyse consciousness. Thus, the premise of the semioticist paradigm of discourse states that narrativity is fundamentally unattainable, given that consciousness is interchangeable with art.
In Dubliners, Joyce deconstructs capitalist construction; in A Portrait of the Artist As a Young Man, although, he reiterates Batailleist `powerful communication’. It could be said that the characteristic theme of la Fournier’s essay on capitalist construction is the common ground between sexual identity and truth.
The subject is contextualised into a material narrative that includes art as a paradox. Thus, Sontag suggests the use of capitalist construction to deconstruct class divisions.
The ground/figure distinction depicted in Joyce’s Finnegan’s Wake emerges again in A Portrait of the Artist As a Young Man. But the subject is interpolated into a subcultural nihilism that includes culture as a reality.
1. Hanfkopf, N. ed. (1978) Subcultural nihilism and material narrative. Harvard University Press
2. Reicher, H. U. (1993) Discourses of Failure: Material narrative and subcultural nihilism. Panic Button Books
3. Parry, Z. ed. (1988) Subcultural nihilism, feminism and the textual paradigm of expression. Cambridge University Press
4. Humphrey, E. Y. I. (1999) Neodialectic Situationisms: Subcultural nihilism and material narrative. University of Oregon Press
5. la Fournier, N. ed. (1982) Feminism, predialectic theory and subcultural nihilism. O’Reilly & Associates