Now that the shutdown is over, I can tell you about a small but punchy photography exhibit at the Sackler.
“Sense of Place,” which runs through November 11, disrupts many of the cliches of East vs. West. In these tired oppositions, Europe is a clash of swords and horses; China, Japan, or any other part of the undifferentiated East is a lone monk crossing a quiet pond. The West is the land of change and history, the East is the land where life is as fleeting and yet eternal as the seasons.
Well, there is a lone man crossing a quiet pond in “Sense of Place.” Hai Bo’s image is gentle, sad and misty, as a bridge arches in graceful curves over the placid water. But this is only the first in a series of three images. The bridge is destroyed. The man is left wandering in a foggy forest, and then abandoned among concrete structures under a blank white sky. In just three photographs we’ve entered the modern world: a world of industrialization and rapid change. Despite the exhibit’s title, time rather than place is the major theme of the small show—it takes up only two rooms—and the emphasis is on the aftermath of distinctly twentieth-century destruction in China, Japan, Iran, and Vietnam.