“The Quiet Rebels of Russian Translation”: An Interview with Pevear and Volokhonsky

at LitHub:VOLOKHONSKY Yes. We had yet another critic, at the very beginning, an old Russian émigré lady. When we first told her we were translating The Brothers Karamazov, she said, Oh, Dostoevsky, I hope you correct his awful style. I said, No, that is precisely what we’re going to keep. more … [Read more...]

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Feeling Better: I review “Inside Out”

for AmCon: Pixar’s “Inside Out” is a charming, vividly-imagined film with terrific comic timing. Its insights are sharp and its message accurate. So why was I the only person in the theater who didn’t sniffle?“Inside Out” takes us into the brain of Riley, a buoyantly happy 11-year-old girl about to face her first major life challenge: a move from Minnesota to San Francisco. We see the world inside her head, including a control room operated by her emotions. Joy (Amy Poehler) is in charge, a … [Read more...]

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“Lava” in the Western World: Justice Kennedy and Pixar

Yesterday afternoon I watched Inside Out. You'll get more from me about that later, but for right now I want to write a bit about "Lava," the short, and the weird coincidence that I saw it on the day of the Supreme Court's gay marriage decision.Aesthetically "Lava" is a mixed bag--or rather, a bag with one great thing and one awful thing in it. The designs for the two volcanic main characters are charming, lovely, and just weird enough. But the short tells a simple story--it could easily … [Read more...]

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“The Truth Without Reconciliation Committee”: I review “The Look of Silence”

for AmCon: For the extraordinary 2012 documentary “The Act of Killing“, filmmaker Joshua Oppenheimer encouraged participants in the Indonesian death-squad killings of 1965 to reenact their murders of suspected or fabricated Communists. The killers, who have reaped material and political success from their violence, were for the most part happy to oblige. Their reenactments became increasingly baroque and Hollywoodized; they expressed the self-image which made them feel powerful and free, and all … [Read more...]

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“Population: 1,” A Punk History of the Late, Great USA

"If you don't remember the 80s, just imagine listening to Duran Duran's 'Hungry Like the Wolf' playing on a boom box that at any moment could explode, killing you and everyone you know."Population: 1 opens with basically a music video, in which a snaggle-toothed chanteuse wonders why nobody loves her, and then dies on a riverbank. She's glorious--just enough menace, just enough shriek--but what actually is going on here? We cut to an underground bunker where a scrawny degenerate is watching … [Read more...]

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“Indie Music’s Christ-Haunted Women”: I’m at AmCon

with some answers to a question I asked here recently: I listen to a lot of what you could call “Christ-haunted” music. Your Mountain Goats, your Weakerthans. Not music made by believers necessarily (although sometimes, unexpectedly, yes), but music made by people who can’t quite escape the stories of Scripture and the language of Christian faith. Cain, resurrection, David, sorrow for sin; a desperate rosary or a hospital vespers. You could add to this list stuff I don’t personally quite grok, b … [Read more...]

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The Martyred Crowd: “Cathedral of the August Heat, A Novel of Haiti”

This is a short, feverish, seamy, painful book from 1987 about a revolutionary upsurge among the poorest people in the Western Hemisphere. It's written by a dissident journalist exiled by the Duvaliers. It's Communist in rhetoric, and there are moments toward the end when the rhetoric and also the optimism feel really flimsy. But most of the book is given over to tales of life at the bottom: sultry dreamscapes and violent nightmares, phantasmagoric beauty and brutal suffering, … [Read more...]

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