“Art Breakers”: I’m in The American Interest

reviewing: The first chamber sets up the thesis of “Damage Control: Art and Destruction Since 1950,” at the Hirshhorn Museum in Washington through May 26. As visitors enter, a 1950s filmstrip plays, showing nuclear blasts recorded for the U.S. Atomic Energy Commission. To one side, so you only see it once you’re already in the room, there’s a smashed baby grand piano with an axe still sticking out of its body: the remains of a 2013 performance art piece in which Raphael Montañez Ortiz hacked the … [Read more...]


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