“The Prize of the Defeated”: Matthew Walther on Don Colacho

click: Nicolás Gómez-Dávila’s name is not one to conjure with on these shores or, probably, any others. His work, almost exclusively collections of short—indeed one- or two-sentence—compositions, was long available only in limited editions from small presses in his native Colombia, and even then only because his family and friends urged him to publish. Translations, especially into German, have made him a cult figure in Europe, but in the United States, where he has never appeared in any publish … [Read more...]

“Discipline Is Not So Much a Social Necessity as an Aesthetic Obligation”

Any article bringing more attention to Don Colacho is an article I want you to read: ...If conservatives are characterized by nostalgia, reactionaries are characterized by decadence. Conservatives build networks and speak in sound bites; reactionaries build mausoleums and speak in epitaphs. Reactionaries are aesthetic rather than practical thinkers. They play alongside, if not across, the border of tragedy and fatalism. Civil debate is meaningless to the side that has already lost. more … [Read more...]

Will the Circle Be Unbroken?: A “Gay and Catholic” DVD Extra

This is the post about "possibilities for publicly honoring nonmarital sacrificial love," and there are a lot of directions I could go with it.I could jump into the ongoing conversation about vowed friendships, except that a) I delve into those questions extensively in the book and b) I don't tbh really grok the CS Lewis, friendship is about gazing outward not at one another, friendship is a realm of pure freedom, stuff. You all already know I don't like realms of pure freedom and am not … [Read more...]

“Modernity as an Overlearning of Christianity”: Pascal-Emmanuel Gobry

good food for thought all the way through: ...Heresy therefore always poses a tricky double challenge for orthodoxy: a heresy that affirms a thing that orthodoxy also affirms (albeit to the exclusion of other necessary truths, or drawing false consequences from it), by definition, cannot be wholly evil, and orthodoxy must affirm the good things in it; and there is always a temptation to face the overemphasis on one pole by overemphasizing the other pole and falling into the other heresy (w … [Read more...]

From Peter de Vries, “The Tents of Wickedness”

The task of rearing a child must have taught her a lot. Taught her that the conformity we often glibly equate with mediocrity isn't something free spirits "transcend" as much as something they're not quite up to. That convention calls for broader shoulders--and, for all I know, more imagination--than revolt. --this is in the voice of the comic hero, so he's kind of a fatuous ass, but the best trick is to put wisdom in the mouths of asses. … [Read more...]

Painting the Town Red: “The Exiles,” A Masterpiece of Lost L.A.

Kent MacKenzie's The Exiles played exactly once, at the 1961 Venice Film Festival, and then vanished for more than forty years. It was rediscovered in 2003, and you can find it now on Netflix--which you should do, for real, here's why.The Exiles follows a group of American Indian men and women over the course of one night at the very end of noir-era Los Angeles. The neighborhood where the film was shot was demolished--excuse me, I mean renewed--shortly afterward. The Native actors were … [Read more...]

Addiction and the Politics (and Poetics) of Personal Responsibility: me at AmCon

a listicle, and for some reason I saved the best stuff for the end, so feel free to hate me: There’s a narrative that comes up whenever addiction is discussed publicly nowadays: the narrative in which the disease of addiction essentially replaces a person’s free will.The barroom-wisdom version of it is the old line, “First the man takes a drink. Then the drink takes a drink. Then the drink takes the man.” A fairly heartbreaking version of it comes in this interview with author (and father of … [Read more...]


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