From “Graham Greene on Film: Collected Film Criticism, 1935-1939″

During the conferences [with David Selznick] which followed I remember there were times when there seemed to be a kind of grim reason in Mr Selznick's criticisms--surely here perhaps there was a fault in "continuity," I hadn't properly "established" this or that. I would forget momentarily the lesson which I had learned as a film critic--that to "establish" something is almost invariably wrong and that "continuity" is often the enemy of life. Man, that is great advice, especially the bit about … [Read more...]

“Hideous Strength”: I review “Degenerate Art” at the Neue Galerie

for AmCon: Leave it to the Nazis to make charity posters into advertisements for power-worship.In the late 1930s the Nazi regime created a traveling exhibition which contrasted Fuhrer-approved artworks with “degenerate” works produced by modernists, New Objectivists, and other riffraff. The exhibition was a bizarre contrast to the book-burning and art-destroying we might expect from a totalitarian regime. Instead of preventing people from seeing the art at all, the Nazis encouraged them to v … [Read more...]

“Flying Camels, Butterflies, And Twizzles”: I report from US Nationals

for AmSpec. (Which Nationals? you ask. Men's figure skating obviously. There is only one sport.)In early January, I attend my very first professional sports competition. The U.S. National Figure Skating Championships have already been going on for four days; the event sprawls over four disciplines and five age categories. I’m at Boston’s TD Garden to watch the senior men, including the two men we’ll be sending to the Winter Olympics in Sochi.Sport, like art, uses the limited body to hint … [Read more...]

“Magritte: Horror and Humor at MOMA”: Me at AmCon

reviewing: ...Of course, the popular Magritte is often the punny Magritte (yes, you can see the famous not-a-pipe at the MOMA show); and the horror-laced, otherworldly Magritte was often the result of finding just the right, resonant punchline for an existential joke. more … [Read more...]

“Wounded Beauty”: Me in America

magazine, talking about horror films and the sublime: I love horror movies because they show me the sublime. I love them for a lot of other reasons too, I admit, depending on my mood. I don’t believe in a grand, unified theory of horror, or of any other genre of film; most genres are a welter of traditions and counter-traditions. Sometimes you want to see evil defeated by the triumphant “final girl”; at other times, by contrast, you want to see that even the most competent and loving heroines ca … [Read more...]

From “Children of Light”

"How nice Quaaludes are," she said. "The world is possible with art." … [Read more...]

“I’m OK, You’re Dead”: I review “The Act of Killing”

at AmCon: ...This surreal documentary, which feels more like Variety Hour in Hell, began when filmmaker Joshua Oppenheimer found that it was impossible to get survivors of the brutal 1965-6 anti-Communist campaign in Indonesia to describe their experiences. He settled for what he considered the next best thing: interviews with the perpetrators. And for the reason Jean-Luc Godard gives here, that turned out to be the key to making one of the most eye-opening documentaries I’ve ever seen. more … [Read more...]


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