“Holy Agony”: I’m at Commonweal

reviewing the Met's recent Dialogues of the Carmelites:The Metropolitan Opera’s recent production of Dialogues of the Carmelites opens with a group of habited women prostrating themselves on the floor with their arms spread. Their bodies are individual crosses that make up one big cross. This opening for Francis Poulenc’s 1956 opera, adapted from a play by Georges Bernanos and based on a real incident during the French Revolution, seems to subsume the women into a collective identity: the … [Read more...]


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