Mother, Church: A Gay Catholic Life

This is an interview I did with my friend Peter. I wanted to talk to him because he's lived through a tumultuous period in Church and American history and come through with his faith and sunny disposition basically intact. How does somebody end up as a faithful, practicing, openly gay Catholic in his 50s? (Warning: The answer is pretty long! This is a super-long post really.)I met with Peter in his apartment. The background for our conversation was the sound of opera arias and Cole Porter … [Read more...]

From Edward P. Jones, “Root Worker”

Long before they reached 1st St., N.E., Glynnis found that so much had changed, disappeared, but everything that was important to white people remained. (from the collection All Aunt Hagar's Children) … [Read more...]

“Choose to Stay” (Or, Virtute the Cat Contemplates Her City)

One reason I love the Weakerthans is that their songs are set in their hometown. The louder you yell “I Hate Winnipeg” the more I know which city holds your heart. So let's listen to "Reunion Tour" and get emotional. Welcome to Washington, DC! The local time is 1987. Like every other week I meet somebody who says, “Oh, wow, I've never met anybody from DC before.” Guess these people's race! I meet people from DC all the time; you can probably guess their race, too. (I think I've been a gentrif … [Read more...]

“Haunted Hollywood”: I watch “Maps to the Stars”

for AmSpec: Part of the reason David Cronenberg’s new Maps to the Stars is so engrossing is that it’s two kinds of movie at once. The surface is all brutal Hollywood satire, the child star who only eats red Skittles and the washed-up actress demanding that her assistant fetch her Xanax and Kozy Shack pudding. This stuff is breathtaking: the massage therapist who helps his scantily-clad clients work through child abuse (“I’m going to press on a personal history point now”), the hateful cheek-kis … [Read more...]

“The Boy Is the Father of Whatever”: I Review Richard Linklater’s “Boyhood”

at AmCon: About an hour and a half into Richard Linklater’s memorable new film, my notes say, “This is RIVETING.” Exactly one hour later, as the movie finally ceased (“ended” is too strong, too decisive), I breathed a sigh of relief. What went wrong to turn the movie from startling, luminous journey into boring, platitudinous slog?Linklater’s movie has gained a lot of press for one of those gimmicks which hide deep meaning under their showy surface, like the delays in Hamlet. Linklater shot … [Read more...]

I Used to Live Here: Old Interview w/John Darnielle About “The Life of the World to Come”

w/various things about his religion, but this was the part which struck me the most: Pitchfork: "Genesis 3:23" is about breaking into a house where you used to live. Is that something you've ever done?JD: Sort of. Not breaking in. I don't do B&Es anymore. I actually never did B&Es, I just did Bs. [laughs] But the inspiration for this is twofold, and is going to be a bit of a long story. I have that feeling that this is something that other survivors of abuse do. When I go back to … [Read more...]

“Geishas by Gaslight”: I review a show at the Freer

for AmCon: The Freer Gallery named their show of wood-block prints by fin de siecle Japanese artist Kobayashi Kiyochika “Master of the Night” (on display through July 27th), but night is ancient and Kiyochika’s work is distinctly modern. His prints show a world in transition. Some of the street scenes might almost be Victorian London; even the rickshaw used to pull a geisha through the night turns out to be a recent import, an innovation. Many of the scenes show people in traditional kimono mixi … [Read more...]


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