Review: Star Trek (dir. J.J. Abrams, 2009)

The trailers say this isn’t your father’s Star Trek, but they could just as easily have said this isn’t your grandfather’s Star Trek. The series really is that old: it has been 45 years since Gene Roddenberry produced the first of two pilot episodes for the original TV show, and as James Bond could tell you, that’s a long time to let a franchise run without taking things back to square one and giving yourself a fresh start. So now, here comes the reboot: directed by J.J. Abrams (producer of Lost and Cloverfield) from a script by Roberto Orci and Alex Kurtzman (the Transformers movies), the new Star Trek is a hotter, sexier, flashier, more youth-oriented version of the sci-fi series than we have ever seen before. But it doesn’t completely sever its ties with the original series — indeed, it puts those ties front-and-centre — and the result is a movie that may leave Trek fans feeling deeply ambivalent.

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Review: Knowing (dir. Alex Proyas, 2009)

If you’ve seen any of the trailers, then you’ll probably have a good idea what to expect from the first hour or so of Knowing, the latest mind-bending bit of speculative fiction from Alex Proyas (Dark City, I Robot). But even that first hour has its surprises, and after that, the film veers in directions that go far beyond anything you might have expected — directions that will be all the more awe-inspiring the less you know going into the theater.

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Review: Happy-Go-Lucky (dir. Mike Leigh, 2008)

Happiness is an elusive quality in a Mike Leigh film. Sometimes, in his films, you will meet characters who try to cheer other people up, but there is usually a darker side to their perkiness. The photographer who tries to get people to smile in Secrets and Lies is stressed out by conflicts within his family; the woman who provides illegal abortions in Vera Drake naively tells her clients they will all be “right as rain” after she has left, and is caught off-guard when one of them almost dies thanks to her efforts; and when Gilbert & Sullivan premiere their latest musical comedy in Topsy-Turvy, a depressed Gilbert responds to the applause by privately grumbling to his neglected wife, “There’s something inherently disappointing about success.”

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Interview: Kirk Cameron

Kirk Cameron may be best known as a former teen idol and as one of the stars of the 1980s sitcom Growing Pains. But over the past decade, he has been cultivating another, very different fan base, as the star of several Christian movies — including the Left Behind series and Miracle of the Cards — and as an evangelist with The Way of the Master, a ministry he shares with Ray Comfort.

Cameron, who turns 38 in October, became a Christian while still in his teens, and he has been married to the actress Chelsea Noble — who he met when she guest-starred on Growing Pains — since 1991. He recently published a book about his life and career, called Still Growing: An Autobiography (Regal).

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Review: Standard Operating Procedure (dir. Errol Morris, 2008)

Errol Morris has been open about his politics at times, not least when he spoke out against the invasion of Iraq while accepting an Oscar for his documentary The Fog of War: Eleven Lessons from the Life of Robert S. McNamara. But until now, his films have never been all that concerned with current events. Instead, they have tended to explore the nature of evidence and the psychological factors that affect how people interpret that evidence. Where some documentaries can come across as works of politically-minded journalism, Morris, a former private detective, tends to be more interested in forensic science, and in the philosophical ambiguities and absurdities that result from people’s investigations of the cold hard facts.

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Interview: Cindy Bond (The Ten Commandments, 2007)

As chief operating officer of Promenade Pictures, Cindy Bond had high hopes for The Ten Commandments, the first in a projected 12-part series of computer-animated ‘Epic Stories of the Bible,’ when it opened in theatres last October. But the film failed to make much of a splash, opening well out of the Top 20 and grossing less than a million dollars — on a project that cost $11.6 million to make.

The movie came out on DVD last week, and Bond spoke to CT Movies about what went wrong — and how things might be different with their next film, a comedy about Noah’s Ark due sometime around Easter 2009.

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Review: The Ten Commandments (dir. Bill Boyce & John Stronach, 2007)

Another year, another Moses movie. Cecil B. DeMille made two movies called The Ten Commandments — one in 1923, during the silent era, and the other in 1956, starring Charlton Heston and a whole lot of deliciously campy dialogue — so it only makes sense that others would continue to tell this story, even to the point of recycling the title. In the past few years alone, we have seen a TV mini-series called The Ten Commandments as well as The Ten Commandments: The Musical — a straight-to-DVD adaptation of a stage production starring Val Kilmer, who once provided the voice of Moses for the big-budget cartoon The Prince of Egypt.

Now comes the low-budget cartoon — and this film, too, features at least one actor who has parted the Red Sea before. The computer-animated version of The Ten Commandments, which opens in theatres this week, is the first in a projected 12-part series of epic Bible stories, and the warm, smooth voice that narrates the movie is provided by Ben Kingsley, who once starred in the 1996 mini-series Moses.

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Review: The Bourne Ultimatum (dir. Paul Greengrass, 2007)

In this high-tech digital age, the makers of high-profile action movies sometimes like to brag about how they used real cars and real stunts — even when some of the defining images in their films couldn’t possibly exist without pixels on a screen. (Yes, Live Free or Die Hard, I’m pointing at you and that spinning airborne car that just happens to miss our hero by a hair.) But every now and then, along comes a film that really seems to have happened in front of the cameras — and The Bourne Ultimatum is just such a film.

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Review: The Last King of Scotland (dir. Kevin Macdonald, 2006)

Don’t let the title fool you. The Last King of Scotland takes place not in the Highlands but in Uganda, and the title refers not to some European monarch but to one of the most notorious African dictators, Idi Amin. So why do this film — and the Giles Foden novel on which it is based—bear this title? Partly because “King of Scotland” was one of the many titles Amin gave himself during his brutal eight-year reign; another was “Conqueror of the British Empire.” Amin, who rose through the ranks of the British colonial army under the patronage of Scottish officers before Uganda became independent, was a fan of all things Scottish, and sometimes wore kilts in public.

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Top Ten Jesus Movies

They’ve been making films about the Son of God for over a century. Here’s one man’s list of those that ascend to the top of the cinematic pack.

Of the making of movies about Jesus, there is no end. In the first three months of this year alone: Son of Man, which casts a black man as Christ and sets his life in modern South Africa, got positive reviews at Sundance; the makers of Color of the Cross, which also casts a black man as Christ, established a website with trailers for their work-in-progress; and New Line Cinema announced that Oscar nominees Keisha Castle-Hughes (Whale Rider) and Shohreh Aghdashloo (House of Sand and Fog) will star as the Virgin Mary and her cousin Elizabeth in a new movie about the Nativity, to be released in time for Christmas.

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