THESE ARE interesting times for Christian film buffs. Nearly three years have passed since The Passion of the Christ rode a wave of controversy to the top of the box office, and studios have been looking for a way to replicate that success ever since.
The key thing about The Passion may be that it was self-financed. Unlike, say, the big-screen version of The Lion, the Witch and the Wardrobe — which toned down the book’s Christian elements to appeal to as wide an audience as possible — Mel Gibson’s movie was bold and uncompromising, all because he paid for it himself.
No one expects the next big Christian movie to be anywhere near that big a hit. But increasingly, secular studios are coming to realize that the best way to sell movies to Christians may be to pick up the movies that Christians are already making.