Avatar came out on Blu-Ray and DVD last week, so now is as good a time as any to post the following article, which I wrote for the March issue of the Anglican Planet after they asked me to expand on some ideas that I had hinted at in my review for the January issue of BC Christian News:
THERE IS a lot that can — and will — be said about Avatar over the next few months.
The latest sprawling epic from Titanic director James Cameron is a technical marvel and, at times, an awesome thrill ride. It also has the clunky dialogue and simplistic political and philosophical posturing that we have come to expect from his later efforts. And already there is much talk about the film’s chances at the Academy Awards in March.
IF YOU are reading this paper while it’s still hot off the presses, then here’s a tip: get to the VanCity Theatre as fast as you can and catch Munyurangabo, a stirring independent film, made in Rwanda, that is playing at that theatre for a few days until November 30.
If you miss the film’s Vancouver premiere, don’t worry; the film, which has been making its way around the festival circuit for the past two and a half years, also came out on DVD several weeks ago. So, one way or another, you should be able to find a copy.
Just the other day, I heard a prominent Christian professor assert that the hit men played by John Travolta and Samuel L. Jackson in Pulp Fiction make evil look attractive, and that those two characters remain “sociopaths” right to the end of the movie.
Many other Christians, however, have argued that Fiction does reflect a moral sensibility of some sort: the Jackson character abandons his criminal ways in the end, after he experiences something he believes to have been a “miracle,” while the Travolta character, who remains a criminal, is eventually killed with his own gun.
Harry Potter and the Half-Blood Prince is the sixth movie to be based on J.K. Rowling’s phenomenally popular books, and like all the previous sequels, it is darker and more mature than the instalments that have preceded it.
But there is only one book left to be adapted, and so this film is filled with a sense that things are coming to a head. Secrets are revealed, the nature of the evil Dark Lord Voldemort’s futile plan to cheat death is finally spelled out, and the film ends on a major cliffhanger that will set the story spinning towards its inevitable climax.
Timing, they say, is everything. The Stoning of Soraya M., which depicts the rigged trial and execution of an Iranian woman whose husband has grown tired of her, goes into limited release this Friday after playing at a few film festivals — and it happens to be coming out at a time when the eyes of the world are on Iran and the crackdown that has taken place there against the protestors who claim the June 12 election was rigged by the authorities.