Review: Munyurangabo (dir. Lee Isaac Chung, 2007)

IF YOU are reading this paper while it’s still hot off the presses, then here’s a tip: get to the VanCity Theatre as fast as you can and catch Munyurangabo, a stirring independent film, made in Rwanda, that is playing at that theatre for a few days until November 30.

If you miss the film’s Vancouver premiere, don’t worry; the film, which has been making its way around the festival circuit for the past two and a half years, also came out on DVD several weeks ago. So, one way or another, you should be able to find a copy.

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Review: Inglourious Basterds (dir. Quentin Tarantino, 2009)

Seventeen years after he burst onto the scene with the talky, violent crime flick Reservoir Dogs, the films of Quentin Tarantino continue to generate intense debate, even in theological circles.

Just the other day, I heard a prominent Christian professor assert that the hit men played by John Travolta and Samuel L. Jackson in Pulp Fiction make evil look attractive, and that those two characters remain “sociopaths” right to the end of the movie.

Many other Christians, however, have argued that Fiction does reflect a moral sensibility of some sort: the Jackson character abandons his criminal ways in the end, after he experiences something he believes to have been a “miracle,” while the Travolta character, who remains a criminal, is eventually killed with his own gun.

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Review: Harry Potter and the Half-Blood Prince (dir. David Yates, 2009)

harrypotter6THE END is near, for Harry Potter and his gang.

Harry Potter and the Half-Blood Prince is the sixth movie to be based on J.K. Rowling’s phenomenally popular books, and like all the previous sequels, it is darker and more mature than the instalments that have preceded it.

But there is only one book left to be adapted, and so this film is filled with a sense that things are coming to a head. Secrets are revealed, the nature of the evil Dark Lord Voldemort’s futile plan to cheat death is finally spelled out, and the film ends on a major cliffhanger that will set the story spinning towards its inevitable climax.

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A Passion for Women’s Rights

stoningofsorayamJim Caviezel and Steve McEveety, who played critical roles in The Passion, expose human rights violations in Iran through their new film, The Stoning of Soraya M.

Timing, they say, is everything. The Stoning of Soraya M., which depicts the rigged trial and execution of an Iranian woman whose husband has grown tired of her, goes into limited release this Friday after playing at a few film festivals — and it happens to be coming out at a time when the eyes of the world are on Iran and the crackdown that has taken place there against the protestors who claim the June 12 election was rigged by the authorities.

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Saints, Sinners, and Salvation

The Terminator franchise — including the new Terminator Salvation — is full of religious imagery, much of it ultimately embracing hope for mankind.

Whenever people ask me what my favorite Christmas movie is, I tell them it’s The Terminator — and I’m only half-joking.

The film, which celebrates its 25th anniversary later this year, is not exactly a religious movie or even a holiday movie on any obvious level. It’s an R-rated sci-fi action film with plenty of violence, a fair bit of profanity, and a sex scene that was standard fare for modestly-priced B-movies of that time. And yet, there is something about the storyline, written by director James Cameron, that has always brought the Nativity to mind.

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Review: Angels & Demons (dir. Ron Howard, 2009)

It may have been boring and heretical, but the film version of The Da Vinci Code was also one of the biggest international hits of all time when it came out three years ago — bigger than The Passion of The Christ, bigger than the Narnia movies, bigger even than at least one of the Star Wars movies. So it was pretty much inevitable that Tom Hanks and director Ron Howard would reunite for an adaptation of the other Dan Brown novel that features Harvard symbologist Robert Langdon. [Read more...]


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