Almighty dollars

Many of the books, films, music and TV shows that make up the parallel universe of the Christian entertainment industry are keyed to the idea of Judgment Day. Odd, writes Peter T. Chattaway — the Rapture is a modern concept with virtually no basis in the Bible

Until it was released in theatres in the United States three weeks ago, Left Behind — an apocalyptic thriller filmed in Ontario and based on a best-selling series of novels by evangelical authors Tim LaHaye and Jerry B. Jenkins — was heavily promoted as the breakthrough film that Christian movie buffs had long been waiting for. The eight books in the series to date have sold over 30 million copies, and the film, which stars former teen idol Kirk Cameron as a TV journalist and Flight of the Intruder star Brad Johnson as an airline pilot, reportedly cost $17.4 million to make — though how much of that was spent on promoting the film, and not on the actual production, is a matter of some debate.

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The gospel according to film

Jesus at the Movies: A Guide to the First Hundred Years
By W. Barnes Tatum
Polebridge Press, 245 pp., $18

John Dominic Crossan, co-founder of the Jesus Seminar and one of the wittiest historians working today, began his landmark work The Historical Jesus: The Life of a Mediterranean Jewish Peasant with the quip that historical Jesus scholarship had become something of a bad joke. The same could be said of that peculiar genre of films based on the life of Jesus, but for a very different reason.

Crossan was responding to the many competing and contradictory accounts of the life of Jesus that have been produced by modern historians. But moviegoers tend to be cynical for a very different reason. In their efforts to please as wide an audience as possible, filmmakers who tackle the gospels have tended to make Jesus a rather bland, anemic figure who has remained surprisingly constant and unchallenging over the years. Even revisionist films like The Last Temptation of Christ emphasize his weaknesses more than his strengths.

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