Robert Redford may play Oral Roberts in a movie about the protégé who stopped believing in Hell

Robert Redford is in talks to play Oral Roberts in a movie about Carlton Pearson, a Pentecostal minister who was a rising star within his denomination until he revealed that he no longer believed in Hell.

The Hollywood Reporter says the film, which was originally being developed for director Marc Forster (Quantum of Solace, Machine Gun Preacher) under the name Heretics, is now being developed by Jonathan Demme (The Silence of the Lambs, Rachel Getting Married) under the name Come Sunday.

Jeffrey Wright, who has had key roles in the James Bond and Hunger Games franchises, is in talks to play Pearson himself. The script is by Marcus Hinchey (All Good Things), and it is based on an episode of This American Life that first aired in 2005.

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Box-office update: Is the “faith-based” streak almost over?

Ever since Son of God opened in theatres on February 28, there has been at least one “faith-based” movie in the North American top ten every week — and sometimes there have been two. But that streak could end after this week.

Heaven Is for Real, which is now in its sixth week, landed in the #10 spot this weekend with an estimated $1.95 million, thus raising its domestic total to $85.8 million. The film has earned another $2.5 million overseas, for a worldwide total of $88.2 million.

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King Solomon reimagined as a modern country-music star

“Even the wisest of men was a fool for love.”

So goes the tagline for The Song, an upcoming film that takes the story of the biblical Solomon and reimagines it as a story about a singer-songwriter dealing with fame and temptation in present-day America.

The biblical Solomon isn’t exactly known for his singing and songwriting — not like his father David, at any rate — but the Bible does say that “his songs numbered a thousand and five”. Two of the Psalms are attributed to him, and so, of course, is the Song of Songs. So it seems that this film is taking that as a jumping-off point.

The film will also make use of Ecclesiastes, a book of subversive wisdom that is also commonly attributed to Solomon.

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Review: Moms’ Night Out (dir. Jon & Andrew Erwin, 2014)

I saw Moms’ Night Out over a week ago and have been meaning to say something about it ever since, but until now I’ve had to juggle a couple of work assignments as well as the usual distractions that come with being a stay-at-home dad — and that’s kind of fitting, given that the film’s main character is a stay-at-home parent who also has a blog of her own.

So I can kind of relate to Allyson (Sarah Drew), the film’s protagonist. When, say, her kids and the messes they make drive her nuts, but she finds that she just can’t bear to paint over the stick-figure portraits that the kids have drawn on the wall, I know exactly what she’s going through.

And yet, I’m also quite conscious of the fact that this movie wasn’t exactly made for people like me. It’s a movie about moms, and it quite consciously extols the virtues of motherhood while portraying dads as the kind of people who are easily panicked and overwhelmed when someone asks them to “babysit” their own kids for a few hours.

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Damien is all grown up in TV follow-up to The Omen

The Exorcist spawned a series of sequels and prequels that couldn’t agree on where its characters had come from or where they were going. Now it seems the same fate has befallen The Omen, which was one of the other big supernatural horror movies from the 1970s.

The original film spawned two big-screen sequels that saw Damien Thorn, the boy destined to become the Antichrist, grow to adulthood. The third film ended with the Second Coming of Christ and the death of the Antichrist at the hands of his lover, but it was followed ten years later by a TV-movie in which we learned that Damien had sired a daughter in whom his creepiness lived on. (Meanwhile, the TV-movie also revealed, no doubt unintentionally, that the Second Coming had had absolutely zero effect on the world, and that things were still ticking along as though nothing had happened.)

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Box office update: Noah passes The Passion overseas

It’s official: Noah is now the top-grossing Bible movie ever overseas, in unadjusted dollars.

As of this weekend, the film has grossed $243 million overseas, which is more than the $241.1 million that The Passion of the Christ grossed overseas ten years ago.

The film also grossed an estimated $210,000 in North America this weekend, raising its domestic total to $100.3 million. This is well, well behind the $370.8 million that The Passion grossed in North America, and slightly behind the $101.4 million that The Prince of Egypt grossed in North America in 1998 and 1999.

Noah is currently playing in over 40 territories and has earned $343.3 million worldwide so far. It opens in Japan next month.

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