Prophet Joseph — episodes thirty-five and thirty-six


Synopsis. The Egyptian army, led by Horemheb, returns home after years of fighting against the Amorites. The priests of Amon get into an argument with Joseph while lining up for grain and inadvertently reveal that the temple of Amon has less wealth than it used to. In Canaan, Jacob teaches his grandchildren about the prophets. Back in Egypt, Joseph says it is time to act against the priests and make monotheism the official religion of Egypt. Egyptians begin arguing in the street about Joseph’s reforms and a fight breaks out, resulting in the death of a monotheist. Joseph teaches an Egyptian crowd that they should worship a God who is superior to them, and he says gods made of stone and wood cannot be superior to humans. Padiamun, one of the priests, leads an attack against one of the granaries but it is thwarted by Joseph, who wounds Padiamun personally. The priests retreat to their temple in the city.

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Ben-Hur news round-up: Many more cast & crew interviews!


Another week, another round-up of Ben-Hur-themed news items.

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Virtual-reality Jesus movie to preview at Venice next month


Heads up for anyone going to the Venice International Film Festival next month: You may get a chance to preview some footage from a virtual-reality movie about Jesus.

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Does Sony Animation’s The Star have a new release date?


One year ago, Sony Pictures announced that they would be releasing The Lamb, an animated film about the first Christmas, on December 8, 2017. Then, two months ago, Sony announced that the film had a new titleThe Star — but the release date was still the same. Now, however, it looks like the release date has changed, too.

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Box office: Ben-Hur is one of the summer’s biggest flops


Ben-Hur turned out to be an even bigger flop than many people expected this week.

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Review: Ben-Hur (dir. Timur Bekmambetov, 2016)


In theory, there is no reason why anyone shouldn’t make a new version of Ben-Hur. Lew Wallace’s 1880 novel has been dramatized several times already, and the most famous film of them all — the 1959 adaptation with Charlton Heston — deviated from the book in ways that arguably made it a less-than-definitive adaptation of the source material. (Among other things, the Heston film is less overt about its Christianity than the silent 1925 version.) So I was prepared to give the new movie a chance.

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