Noah at the movies — the article’s up!

My article on the portrayal of Noah in film is now up at CT Movies.

It looks at how the story of the Flood has been told — and, in a couple cases, modernized — in Noah’s Ark (1928), Green Pastures (1936), The Bible: In the Beginning… (1966), Genesis: The Creation and the Flood (1994), Testament: The Bible in Animation (1996), Noah (1998), Noah’s Ark (1999), Evan Almighty (2007) and, of course, Darren Aronofsky’s Noah (2014).

It’s not an exhaustive list by any means — I would have liked to include a note about the three short Noah-themed Disney cartoons produced between 1933 and 1999, in particular — but I think I was pushing my word limit as it was.

Exclusive: Darren Aronofsky and Ari Handel on universal truths and specific traditions in Noah

My interviews with Darren Aronofsky: 1998 | 2014 pt 1 | 2014 pt 2 | 2014 pt 3

A few weeks ago, I had the privilege of seeing Darren Aronofsky’s Noah and speaking to both Aronofsky and his co-writer/co-producer Ari Handel immediately after the screening. The following is part four of our conversation. Click on the links for parts one, two and three. The film comes out tonight.

One last question — for now, I guess, because I’d love to talk even longer–

Darren Aronofsky: Yeah, yeah, you could always come over to our dorm room. (laughs) I feel like I’m back in college. This is sophomore year at college, is me and Ari and a bunch of guys talking. I love it.

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Noah interview round-up: director Darren Aronofsky

When I interviewed Darren Aronofsky in New York four weeks ago, it was the first time I had heard him discuss his film Noah in the context of midrash, a form of Jewish narrative interpretation of the scriptures. But he has certainly brought it up quite a bit in the interviews he has done since then.

For example, it’s right there in the headline that sits atop the interview that Huffington Post religion editor Paul Brandeis Raushenbush did with Aronofsky and his co-writer Ari Handel (‘Noah: A Midrash by Darren Aronofsky and Ari Handel’). A couple sample quotes:
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Terminator update: an aging cyborg and a grown-up boy

So this is what it’s come to for Arnold Schwarzenegger. The Austrian bodybuilder-turned-actor, who was one of the biggest stars in the world roughly 20 years ago, is now starring in a movie (Sabotage) that won’t even get a theatrical release in Canada when it opens in the United States this week.

Fortunately, for him, the sci-fi franchise that kicked his career into high gear is still around, and still wants him. And this week, Schwarzenegger explained how it is possible that an actor who was 36 the first time he played a cyborg from the future can still play a product of the robot assembly line at the ripe old age of 66.

Speaking to MTV, he said: “The way that the character is written, it’s a machine underneath. It’s this metal skeleton. But above that is human flesh. And the Terminator’s flesh ages, just like any other human being’s flesh. Maybe not as fast. But it definitely ages. Terminator deals a lot with time travel, so there will be a younger T-800 model and then what that model does later on when it gets reprogrammed, and who gets ahold of him. So it will be all kinds of interesting twists in the movie.”

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Exclusive: Darren Aronofsky and Ari Handel on biblical accuracy and combining science and religion in Noah

My interviews with Darren Aronofsky: 1998 | 2014 pt 1 | 2014 pt 2 | 2014 pt 4

A few weeks ago, I had the privilege of seeing Darren Aronofsky’s Noah and speaking to both Aronofsky and his co-writer/co-producer Ari Handel immediately after the screening. The following is part three of our conversation. Click on the links for parts one and two. The film comes out tomorrow night.

Warning: This section of the interview begins with a spoiler from the film’s third act.

There’s been a lot of talk lately about the question of “accuracy.” It’s a word that comes up constantly in relation to Bible films, I think because people are afraid of creativity, and yet of course your film does definitely follow certain things like the measurements of the Ark, and yet on the other hand your film has only one wife for one of Noah’s kids–

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Noah video round-up: Tubal-Cain rallies the troops in a new clip, plus a new featurette on the animals and a new TV spot

I’m too busy actually writing about Noah these days to spend much time analyzing the videos the way I used to, but the film comes out in two days so you’ll have a chance to see it all soon anyway. In the meantime, here are a few new videos that the studio has released since yesterday.

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