Box-office update: Guardians of the Galaxy breaks more records while the “faith-based” genre underperforms

guardiansofthegalaxyThis is my first box-office update since July, and a lot has happened since then.

The big news, of course, is the phenomenal success of Guardians of the Galaxy, a film that was based on one of the more obscure Marvel properties, had no major stars, and revolved around some pretty wacky ideas (like a talking, machine-gun-toting raccoon), yet still managed to become the top-grossing Marvel Cinematic Universe movie without Iron Man, at least in North America.

Overseas, it ranks behind all of the Marvel sequels, but ahead of all their other “original” films except for The Avengers — and that was really kind of a super-sequel, too. So you could say that, worldwide, Guardians of the Galaxy is the top-grossing Marvel Cinematic Universe movie that introduced a new set of characters.

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Noah news round-up: a box-office milestone, distribution difficulties in the Philippines, and Rob Moore speaks

Paramount announced today that Darren Aronofsky’s Noah has grossed $300 million worldwide since it first opened in Mexico and South Korea on March 21.

The Hollywood Reporter notes that Noah is the fourth-highest-grossing film of the year worldwide so far, behind Captain America: The Winter Soldier ($586.7 million), The Lego Movie ($441.7 million) and 300: Rise of an Empire ($329.2 million).

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Son of God news round-up: a box-office update, thoughts on Peter Bart’s “open letter” to Mark Burnett, and more

The makers of Son of God promoted the film quite heavily during the run-up to its release two weeks ago, and they kept at it during the film’s first week in theatres — but the publicity machine has slowed down considerably since then, and now, in its third weekend, Son of God is estimated to have grossed about $5.4 million, which puts it in 7th place for the week.

That figure is down 48% from last weekend, which, percentage-wise, is the second-largest drop in this week’s top ten (the biggest is the 57.6% by which 300: Rise of an Empire fell from its opening last week). With a weekend take of $1,806 per screen, Son of God also had the second-lowest per-screen average in the top ten, ahead of only the $1,444 per screen taken in by Frozen, the Oscar-winning Disney cartoon that has been playing in theatres for almost four months now.

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Son of God drops 60% at the box office in its second week

Son of God took a tumble at the box office this weekend, taking in about 60% less than it did last weekend — easily the biggest drop among the week’s top ten.

The film’s weekend revenue dropped from $25.6 million last week to only $10 million or so this week — and there are two possible explanations for this drop.

One is that some churches bought out entire theatres last week, which gave the opening weekend a bit of a boost.

Another is that movies based on popular TV shows — such as Star Trek, The X-Files and High School Musical — tend to attract a higher percentage of their audiences on their opening weekends. The fans all show up for the opening weekend because that’s The Event they have all been waiting for, and then, unless the word of mouth is really good, the film drops down the box-office chart fairly quickly after that.

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Hercules the latest ancient epic to come out in early 2014

As a Bible-movie buff, I have paid quite a bit of attention at this blog to the three biblical stories that are hitting the big screen next year. But every now and then I like to take a step back and remember that these movies are part of an even broader trend involving ancient history and/or mythology.

Case in point: Summit Entertainment announced today that they have acquired distribution rights to Hercules: The Legend Begins and will release the film February 7. And that is only the first Hercules movies to come out next year, the other being a flick starring Dwayne “The RocK” Johnson that comes out July 25.

In addition to that, we also have the sequel to 300 coming out in the next few months, as well as a 3D movie about Pompeii. And this is all coming on the heels of recent Greco-Roman flicks like Clash of the Titans (2010), Immortals (2011) and Wrath of the Titans (2012), to say nothing of the Percy Jackson films (2010-2013), which are based on ancient Greek mythology but are set in the present day.

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Timur Bekmambetov in talks to direct Ben-Hur remake

Seven months ago, we learned that MGM was developing a new adaptation of Ben-Hur: A Tale of the Christ, the classic Lew Wallace novel that had previously been adapted by the studio in 1925 and 1959. Now comes word that Timur Bekmambetov — the Kazakh director of Night Watch (2004), Wanted (2008) and Abraham Lincoln: Vampire Hunter (2012) — is in talks to direct the film, apparently because the studio feels he has “a strong grasp on the story’s themes of revenge and redemption.”

At first glance, Bekmambetov — who specializes in heavily stylized adaptations of comic books and horror-fantasy novels — would seem an odd fit for this story, given the ancient setting and the sincerity or earnestness with which earlier films have tackled the novel’s themes. But this news sort of makes sense in light of the fact that studios have been trying for years now to imitate the success of 300 (2006), a heavily stylized adaptation of a graphic novel about the Persian invasion of Greece.

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