The naked Christ in film: birth, death and resurrection

“The Word became flesh,” according to John 1:14, but that flesh has been hidden, for the most part, in movie portrayals of Jesus. At certain key points in his life, history and even tradition would dictate that Jesus ought to be depicted nude — and there are good theological reasons for doing so. But films have tended to shy away from nudity in their own portrayals of those parts of the Jesus story.

There are some obvious reasons for this reticence, of course, starting with the fact that film, for much of its history, has been forced to skirt around images of nudity in general, and images of male nudity in particular. Plus, when a film does show someone’s nudity, it does not merely show you the character’s nudity; it shows you the actor’s nudity, as well, and the knowledge that you are seeing an actor’s naked body can sometimes distract you from the character. This is especially true when the character is meant to be an embodiment of divinity like Jesus.

There have been at least three significant exceptions, though — three films that each depict the nudity of Jesus at a different key point in his story.

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Adam and Dog and expressions of Grace

If you haven’t seen the Oscar-nominated animated short Adam and Dog yet, you really should. It’s a beautiful, inspired and, in its own way, challenging take on the story of the Garden of Eden, as seen from the limited — but still keenly felt — perspective of the world’s first domesticated canine.

I loved it from the moment it was first posted online two weeks ago, and I saw it again a couple days later, this time on the big screen, where it was screened as part of the touring Oscar Nominated Short Films program.

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The Oscar-nominated story of man’s first best friend

It turns out one of the five nominees for this year’s Oscar for Best Animated Short is a version of the story of Adam and Eve, as told from the point of view of a dog. Adam and Dog actually won the Annie Award for Best Animated Short one year ago — beating such better-known films as Pixar’s La Luna, Disney’s The Ballad of Nessie and Warner’s I Tawt I Taw a Puddy Tat — but it somehow didn’t get much exposure or qualify for the Oscars until this year. And now that the Academy is casting its final votes, the entire short film has been released online:
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