Noah interview round-up: co-writer Ari Handel

Two weeks ago, I posted a collection of interviews with Noah director Darren Aronofsky, and I have updated that post with new interview clips ever since. But in the meantime — especially as Aronofsky has gone overseas to promote the film — there have also been a number of interviews with his co-writer Ari Handel. So I figured I should start a post to collect those, too.

I interviewed Aronofsky and Handel together myself back in February, and I linked to a more recent interview with Handel in my post on the infamous snakeskin.

Handel was also featured prominently in a “faith leaders” video that I posted a couple weeks ago, and I have previously linked to interviews that he has done with Hollywood Jesus and Hugh Hewitt. See also the interviews that Handel and Aronofsky did together to promote the Noah graphic novel here, here and here.

And now for the new stuff. [Read more...]

Be as wise as serpents, but stay away from snakeskins!

“Temptation led to sin.”

That’s the second sentence in Darren Aronofsky’s Noah. It’s printed on the screen for all to see. It is accompanied by an image of a serpent flicking its tongue at the camera. And it is followed by images of violence and destruction.

To those who are even half-familiar with the story of the Fall, you might think that this would all seem pretty straightforward. But no. Instead, a bizarre idea has surfaced in recent days, to the effect that Aronofsky’s film espouses a kind of Gnosticism.

[Read more...]

The Jewish roots of — and responses to — Noah

If there’s one thing that has annoyed me about some of the debate around Darren Aronofsky’s Noah, it has been the persistent assumption — on both sides — that the film was made either for Christians or against Christians. Some people dismiss the film because they think the studio wanted to pander to the Christian market, while others think the film was made to subvert the beliefs of Christians. Rarely does anyone take a step back and say, “Hey, these filmmakers are Jewish, and the story of Noah comes from the Jewish scriptures. I wonder what Jewish audience members make of this film?”

[Read more...]

Exclusive: Darren Aronofsky and Ari Handel on universal truths and specific traditions in Noah

My interviews with Darren Aronofsky: 1998 | 2014 pt 1 | 2014 pt 2 | 2014 pt 3

A few weeks ago, I had the privilege of seeing Darren Aronofsky’s Noah and speaking to both Aronofsky and his co-writer/co-producer Ari Handel immediately after the screening. The following is part four of our conversation. Click on the links for parts one, two and three. The film comes out tonight.

One last question — for now, I guess, because I’d love to talk even longer–

Darren Aronofsky: Yeah, yeah, you could always come over to our dorm room. (laughs) I feel like I’m back in college. This is sophomore year at college, is me and Ari and a bunch of guys talking. I love it.

[Read more...]

Noah interview round-up: director Darren Aronofsky

When I interviewed Darren Aronofsky in New York four weeks ago, it was the first time I had heard him discuss his film Noah in the context of midrash, a form of Jewish narrative interpretation of the scriptures. But he has certainly brought it up quite a bit in the interviews he has done since then.

For example, it’s right there in the headline that sits atop the interview that Huffington Post religion editor Paul Brandeis Raushenbush did with Aronofsky and his co-writer Ari Handel (‘Noah: A Midrash by Darren Aronofsky and Ari Handel’). A couple sample quotes:
[Read more...]

Exclusive: Darren Aronofsky and Ari Handel on biblical accuracy and combining science and religion in Noah

My interviews with Darren Aronofsky: 1998 | 2014 pt 1 | 2014 pt 2 | 2014 pt 4

A few weeks ago, I had the privilege of seeing Darren Aronofsky’s Noah and speaking to both Aronofsky and his co-writer/co-producer Ari Handel immediately after the screening. The following is part three of our conversation. Click on the links for parts one and two. The film comes out tomorrow night.

Warning: This section of the interview begins with a spoiler from the film’s third act.

There’s been a lot of talk lately about the question of “accuracy.” It’s a word that comes up constantly in relation to Bible films, I think because people are afraid of creativity, and yet of course your film does definitely follow certain things like the measurements of the Ark, and yet on the other hand your film has only one wife for one of Noah’s kids–

[Read more...]


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