James T. Kirk and the mind-body-spirit relationship

“Kirk is a man of passion and emotion and follows his gut.” So says Chris Pine in a new featurette for Star Trek into Darkness. And to a certain extent, Kirk does indeed have these characteristics. But I wonder if that summary is as accurate as it could be; and I wonder if it reflects one of the subtle but significant changes that the new Star Trek films have made to the franchise’s original characters.

The way Pine speaks of Kirk’s “passion” and his “gut” reminds me of a point that John Granger made in his book The Hidden Key to Harry Potter, regarding how a number of successful franchises have revolved around three characters who represent the classic division of the human being into body, mind and spirit.

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Review: Star Trek (dir. J.J. Abrams, 2009)

The trailers say this isn’t your father’s Star Trek, but they could just as easily have said this isn’t your grandfather’s Star Trek. The series really is that old: it has been 45 years since Gene Roddenberry produced the first of two pilot episodes for the original TV show, and as James Bond could tell you, that’s a long time to let a franchise run without taking things back to square one and giving yourself a fresh start. So now, here comes the reboot: directed by J.J. Abrams (producer of Lost and Cloverfield) from a script by Roberto Orci and Alex Kurtzman (the Transformers movies), the new Star Trek is a hotter, sexier, flashier, more youth-oriented version of the sci-fi series than we have ever seen before. But it doesn’t completely sever its ties with the original series — indeed, it puts those ties front-and-centre — and the result is a movie that may leave Trek fans feeling deeply ambivalent.

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