Moses holds a sword to Ramses’ throat and soldiers hold spears galore in new Exodus: Gods and Kings photos

At least fourteen photos and three posters were released this month during the run-up to the first trailer for Exodus: Gods and Kings. Now, thanks to a website called Pissed Off Geek, we have at least three more images for our collections.

The most striking, to me, is this shot of Moses holding a sword to Ramses’ throat, which was hinted at in the trailer but is much more explicit in this photo. And look at how much taller Moses is! I can’t think of another movie about the Exodus that made Moses so much more physically imposing, even threatening, than the Pharaoh he confronts. Even Charlton Heston, for all his statuesque poses, was content to proclaim things, point his fingers, and let God and his miracles take care of the rest. (And the Pharaoh opposing him was played by Yul Brynner, who was no slouch in the alpha-male department himself.)

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The Exodus: Gods and Kings trailer: a shot-by-shot analysis (lots and lots of horses, and a tip of the hat to Simple Minds)

The first trailer for Exodus: Gods and Kings is here — and it’s pretty much what you’d expect. Spectacular images (which will no doubt look even better in 3D), an enormous sense of scale, and hints of a brotherly love between Moses and Ramses that turns sour when Moses and his God turn against the Egyptians and their gods to liberate the Hebrew slaves. Oh, and horses. Lots and lots of horses. You can check it all out below the jump.

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Moses and the Pharaoh have swords in new Exodus posters

The first posters for Exodus: Gods and Kings are here — and for a film that is supposedly going to be promoted as the next big battle epic from the director of Gladiator, it’s striking to see how sombre and lacking in action these first promotional images are.

They’re also strangely colourless. As you can see from the main poster to the right — which shows Christian Bale as Moses and Joel Edgerton as Ramses kind of glaring at each other while they touch their swords — the images are essentially black-and-white, except for gold-tinted highlights and just a hint of blue.

I also can’t recall ever seeing a Moses movie that made a pyramid as central to its imagery as this poster does. It gives the poster an Illuminati-esque feel, and I’m afraid the first thing it brings to mind is the fact that Exodus director Ridley Scott is attached to an HBO series which will play on the idea that the ancient Egyptian civilization was built in part with help from aliens.

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Exodus: Gods and Kings: new photos, a new Entertainment Weekly profile, and hints of a trailer coming soon

At last, I can finally stop rotating the same three or four pictures of Christian Bale as Moses at the top of my Exodus: Gods and Kings posts!

Entertainment Weekly posted a “first look” at Ridley Scott’s movie today, including five new photos and a handful of interview snippets. The Italian website Cinemamente also posted a couple of behind-the-scenes shots that I had never seen before, including the picture above.

On top of all that, the movie’s first trailer, which was recently shown to exhibitors in Europe, was approved by the film classification boards in at least two Canadian provinces last week. The Alberta website gives the trailer a PG rating and says it runs 90 seconds, while the British Columbia website says it runs 96 seconds, but in any case, it sounds like we’ll all get to see the trailer for ourselves fairly soon.

More pictures and interview snippets below the jump, including Sigourney Weaver as an Egyptian queen, Aaron Paul as Joshua and Ben Kingsley as Joshua’s father.

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Here we go again: Ridley Scott’s Exodus and “accuracy”

Longtime readers of this blog will know that I’m no fan of the expression “biblically accurate”. It’s not that I don’t like analyzing biblical and historical epics to see where they deviate from their source material; I do that sort of thing all the time. Rather, the problem is the way that phrase has been turned into a weapon, signifying little more than whether or not a movie has earned the approval of the person who uses that phrase.

Just in the past year and a half, we have seen people call The Bible and its big-screen spin-off Son of Godbiblically accurate” even though that miniseries was full of embellishments and got many details wrong, and we have also seen people condemn Noah for its alleged lack of accuracy even though it tackled lots of obscure biblical details that many people never think about. One film was “accurate” because it gave the audience what it wanted, and the other wasn’t because it didn’t.

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Son of God news round-up: a box-office update, thoughts on Peter Bart’s “open letter” to Mark Burnett, and more

The makers of Son of God promoted the film quite heavily during the run-up to its release two weeks ago, and they kept at it during the film’s first week in theatres — but the publicity machine has slowed down considerably since then, and now, in its third weekend, Son of God is estimated to have grossed about $5.4 million, which puts it in 7th place for the week.

That figure is down 48% from last weekend, which, percentage-wise, is the second-largest drop in this week’s top ten (the biggest is the 57.6% by which 300: Rise of an Empire fell from its opening last week). With a weekend take of $1,806 per screen, Son of God also had the second-lowest per-screen average in the top ten, ahead of only the $1,444 per screen taken in by Frozen, the Oscar-winning Disney cartoon that has been playing in theatres for almost four months now.

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