Review: Angels & Demons (dir. Ron Howard, 2009)

It may have been boring and heretical, but the film version of The Da Vinci Code was also one of the biggest international hits of all time when it came out three years ago — bigger than The Passion of The Christ, bigger than the Narnia movies, bigger even than at least one of the Star Wars movies. So it was pretty much inevitable that Tom Hanks and director Ron Howard would reunite for an adaptation of the other Dan Brown novel that features Harvard symbologist Robert Langdon. [Read more...]

Comment: His Dark Materials: How the Grinch stole God

goldencompass-weitzLAST YEAR, many Christians went out of their way to caution their fellow believers against over-reacting to the movie version of The Da Vinci Code. Yes, the film put forth a deeply problematic view of Jesus and church history, but instead of protesting against it, Christians were encouraged to see it, discuss it with their friends and, in general, “engage” with it as part of their broader engagement with the culture.

This year, however, many Christians have begun to raise the alarm over the movie version of The Golden Compass, which comes out December 7. They have sent each other e-mails full of warnings about the “anti-religious” books on which the film is based. They have pointed their friends to websites that describe some of the story’s objectionable content. And there has been little, if any, talk of “engagement”.

What changed between last year and this? What is different about this movie?

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Review: The Da Vinci Code (dir. Ron Howard, 2006)

My initial reaction to the film version of The Da Vinci Code was almost one of relief. The film was a dud, a complete bore, and most critics, secular and otherwise, seemed to think so, too. Perhaps, I thought, this movie would bring the whole phenomenon to an untimely end.

But in the days since, I have come to think that the film, in some ways, constitutes an even worse offence against the Church than the Dan Brown novel on which it was based.

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Review: The Da Vinci Code (dir. Ron Howard, 2006)

The makers of The Da Vinci Code have been saying for some time now that their film is not supposed to be taken all that seriously. It’s not history, and it’s not theology, director Ron Howard has said; instead, it’s just a rollicking good bit of entertainment. And leading man Tom Hanks has said it’s loaded “with all sorts of hooey and fun kind of scavenger-hunt-type nonsense,” calling the story “a lot of fun.”

If only they had taken their own advice. Dan Brown’s novel may be the product of extremely sloppy historical study, but even many of the book’s critics have admitted that it is a “page-turner,” an exciting yarn that carries the reader off on a semi-clever, fast-paced ride. The film, on the other hand, is a dull and plodding bore, and it takes itself far, far too seriously.

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From Temptation to the Code

In 1988, Christians picketed theaters that showed The Last Temptation of Christ. Today, they’re trying to find ways to “engage” a new controversial movie — The Da Vinci Code.

Two decades ago, Christians took a stand against Martin Scorsese’s The Last Temptation of Christ. When a draft of the script was made public, protestors compelled Paramount to abandon the project, and when Universal produced the movie a few years later, in 1988, Campus Crusade for Christ founder Bill Bright offered the studio some $10 million to buy the movie and destroy it. And then, when the film was released, Christians staged a number of boycotts and pickets outside theatres — a noisy tactic some believers now regret.

But today, churches are taking a different approach to controversial films, including The Da Vinci Code, Ron Howard’s film adaptation of the Dan Brown bestseller, which releases May 19. Pastors, scholars and teachers are writing books, preparing sermon series and Sunday school lessons, and creating websites devoted to “engaging” this pop-cultural artifact as part of an ongoing “dialogue.”

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Grappling with the Da Vinci juggernaut

“SEEK the truth.”

So say the posters for The Da Vinci Code. And so say many Christians who hope to make this movie a witnessing opportunity when it opens May 19 — despite its dismissal of the divinity of Jesus and its controversial claims about the marital status of Christ, the formation of the Bible and the church’s treatment of women.

In contrast to past controversies, such as the various efforts to suppress Martin Scorsese’s The Last Temptation of Christ in the 1980s, pastors and scholars have written books, prepared sermon series, and created websites devoted to “engaging” the movie and book versions of The Da Vinci Code as part of an ongoing “dialogue” with the larger culture.

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