It’s all connected: Gertrude Bell, Harry Potter and more!

Deadline reports that James Franco is “circling” a role in Werner Herzog’s long-in-development Gertrude Bell biopic Queen of the Desert. The role — which was once going to be played by Jude Law — is that of Henry Cadogan, a British diplomat who met Bell when she visited Persia, or modern-day Iran, in the 1890s. Bell herself will be played by Naomi Watts.

This bit of news reminds me that I never got around to blogging the last bit of casting news around this film, when it was announced last summer that Twilight star Robert Pattinson is attached to play T.E. Lawrence, a.k.a. “Lawrence of Arabia”. I found that news kind of amusing because Pattinson has already co-starred with another actor who once played Lawrence.

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The Bible: second episode, first impressions

Another week, another episode of the mini-series The Bible. These are my first impressions of the second episode.

The pacing, redux. The second episode is 86 minutes long, and the first six minutes consist of footage from the first episode, so that leaves only 80 minutes for the second episode to take us all the way from the spies in Jericho to the birth of King Solomon — a period that covers about two or three centuries.

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Videos tell story of early church / Strengths and weaknesses in dramatizing New Testament church

There have been many films about the life of Jesus, and a handful of high-profile movies from The Sign of the Cross to Quo Vadis? have detailed the persecution of Christians in Rome some 35 years later. But the dramatic transition Christianity made between those two points — from a marginal Jewish sect to a thriving, if persecuted, community in the seat of Gentile power — has received scant attention even from Christian filmmakers.

Into this void steps Acts, the second film from The Visual Bible. (The first was Matthew.) Like the aborted Genesis Project of the 1970s, the minds behind this South African venture hope to film the entire Bible, using the New International Version as their script. Says the press kit in bold, coloured letters: “No scriptwriter’s liberties. No interpretations. No dramatic license.”

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