Noah wasn’t nominated for any Oscars, but it was nominated for a Visual Effects Society award — and since the winners of those awards are being announced tonight, it might not be coincidence that Industrial Light & Magic released a three-minute video yesterday showcasing some of the work that they did on this film.
Box-office update: Robots ride dinosaurs, some films do better than the buzz would suggest, and Noah leaves North American theatres (while enjoying its third week in Japan)
The big story this week is that Transformers: Age of Extinction supposedly became the first film of the year to gross over $100 million in a single weekend (in North America, that is) — but that figure was quickly disputed by rival studios, who said the film actually came in just a tiny bit beneath that amount. Whatever. It was still pretty huge.
Box-office update: Edge of Tomorrow “wins” or “loses” the week depending on how you look at it, and more
Depending on how you look at it, Edge of Tomorrow either “won” or “lost” at the box office this past weekend.
That’s right, you can actually argue that Edge of Tomorrow “won”. Most reports have focused on the fact that the $28.8 million that the film opened to in North America last weekend fell well behind the $48 million that the low-budget romance The Fault in Our Stars opened to, and it even fell a bit behind the $34.3 million that Maleficent earned in its second week. But Edge of Tomorrow actually won the weekend overseas and thus worldwide.
Edge of Tomorrow stars Tom Cruise as a soldier who gets caught in a time loop and finds himself living the same day over and over again. This gives much of the film a feeling of déjà vu, which is only fitting, since many elements in this film are reminiscent of other movies, from the battle scenes of Saving Private Ryan and Starship Troopers to the mechanical suits of Iron Man and Aliens and the endless time loops in Groundhog Day and Source Code. You might spend much of this new film thinking that you’ve seen it all before.
Indeed, Tom Cruise has been in the movie-star business for so long that his latest film feels at times like a callback to earlier Tom Cruise movies. Even the fact that it’s a bit of a pastiche seems like a replay of earlier pastiches, not least because Edge of Tomorrow is the second consecutive film of his — following last year’s Oblivion, which borrowed from many other films itself — in which the Earth is attacked by aliens and Cruise becomes the only man who can do anything about it.