Synopsis. Joseph is led into the prison, which is full of chaos and filth. One of the first things he sees is Ninifer Keptah — a former member of Potiphar’s guard who was sent to prison years ago when Joseph, then 11, tricked him into confessing a crime — beating another prisoner almost to death. Joseph intervenes, and the warden has both Joseph and Ninifer Keptah lashed. But the warden takes a liking to Joseph when Nemisabu arrives with a care package and a note from one of Potiphar’s officers that speaks highly of Joseph and says the warden should not let Joseph’s organizational talents go to waste. Before long, Joseph has convinced the other prisoners to clean the jail. Meanwhile, the priests of Amon start searching for Apopis, who was supposed to kill the Pharaoh for them but is now stuck in the same prison as Joseph.
Synopsis. Ghetmir, a member of the caravan that bought Joseph from his brothers, finds Joseph crying by his mother’s grave. Ghetmir strikes him, and Jacob, sitting miles away, senses that something is wrong. Ghetmir is about to strike Joseph again when a pain shoots through his hand. That night, Ghetmir asks Ishtar to heal his arm, but he tosses his idol away when Joseph heals his arm instead. Later, another sick member of the caravan is healed after Joseph spends time with him. After the caravan arrives in Egypt, another member of the caravan tells Joseph he wants to become a believer in Joseph’s God, and Joseph replies that the man already is a believer.
Ridley Scott started shooting his Moses movie Exodus: Gods and Kings nine months ago, and there was so much buzz about the film earlier this year — from the first official pictures released around New Year’s Day to the coverage it got in the foreign press in March — that I’d kind of assumed that he had finished shooting it by now, and that all he had to worry about, between now and the film’s release in December, was the editing, the visual effects (the 3D parting of the Red Sea, etc.), the music and so on.
But apparently the cameras are still rolling. An article posted yesterday at Albawabh News, an Egyptian website, claims that Scott will finish shooting some scenes in and around the temples of Aswan “next Sunday” — at least as translated by Google.
BIBLE MOVIES refer so often to “the God of our fathers” it’s surprising at first to discover just how little attention films have paid to the patriarchs.
There are several reasons for this. Most biblical life stories are made up of disconnected episodes that do not easily conform to the structure of a two- or three-hour film. Attempts to be “historically accurate” with Genesis falter since no one knows when these stories occurred; scholars have dated Abraham to anywhere between the 23rd and 14th centuries BC.