Ever since Match Point premiered at the Cannes film festival eight months ago, Woody Allen has been receiving some of his best reviews in years. His new film has been lauded as a change of pace for a director who has long been stuck in his ways, and in some ways it is. It is set in England, not in New York (though earlier films like Love and Death and Everyone Says I Love You also took place, at least in part, outside the United States). It is a mostly serious dramatic feature, not a comedy (though earlier films like Interiors and Another Woman were even more explicit in their emulation of Ingmar Bergman’s sobering style). And it dwells just a little more than usual on the actual eroticism of sex, whereas earlier films tended to focus on the social ramifications of adultery, rather than the sexual activity itself (though a few, like Husbands and Wives, were a tad more graphic).