Exclusive: James Wan on his return to horror, respecting the experiences of those who encounter the paranormal, and getting a priest to bless the set of The Conjuring 2


Many directors dream of launching one hit franchise. James Wan has launched three.

The Malaysia-born, Australia-raised filmmaker first made a name for himself with Saw, a psychological horror film that spawned six sequels, all of which Wan produced but did not direct. Then he directed Insidious and its first sequel; a fourth film — again, produced but not directed by Wan — is now in the works. And then he directed The Conjuring, a huge hit that led to a prequel-ish spin-off called Annabelle.

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Exorcists and Emperors: young actors play old, then play young again in flashbacks or prequels

Further to my post marking the 40th anniversary of The Exorcist, I thought it might be fun to look at one other way in which the Exorcist movies parallel the Star Wars franchise: namely, both series feature an actor who plays considerably older than his real age, and then, in at least one of the sequels or prequels, the actor plays more-or-less his real age in scenes set years or even decades earlier.

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Flashback: The Exorcist and its sequels and prequels

At least they waited until the day after Christmas to release the film.

It was 40 years ago today that a movie called The Exorcist came out in theatres and proceeded to shock its way to box-office success. But the film did more than jolt people with its images of outrageous demonic behaviour; it also subverted the assumptions of modernity by suggesting that there was more to us than science and psychology could understand, and in its own roundabout way, the film became an expression of faith (certainly on the part of its screenwriter, William Peter Blatty, though his particular brand of faith might not be exactly conventional or orthodox).

To mark the anniversary of the film’s release, I have re-posted my reviews of the original film and its prequels, and I have compiled a few links to other blog posts that I have written about the film. Check ’em out below the jump.

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Review: Exorcist: The Beginning (dir. Renny Harlin, 2004)

It is almost impossible to imagine that a worthy sequel to 1973’s The Exorcist could ever be made, but that hasn’t stopped several filmmakers from trying. The original film — directed by William Friedkin from a screenplay by William Peter Blatty, who also wrote the original novel — was more of a mood piece than a story. The demonic possession of a 12-year-old girl was less a conflict to be resolved than a hook on which to hang a thoughtful meditation on the tension between modern materialistic science and an ancient, even primitive, belief in a spiritual realm beyond this life. At a time when many were asking if God was dead, and if concepts such as goodness still had any meaning, Blatty and Friedkin hit audiences with a bold, shocking depiction of evil and dared them to say that this, too, was not meaningful. If there truly was such a thing as evil, then there truly must be such a thing as good, too; and if the Devil existed, then so did God.

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