Watch: The first trailer for The Omen sequel series Damien


The Hollywood Reporter has released the first trailer for Damien, the A&E series that ignores all the previous sequels to The Omen and imagines what the boy who was destined to become the Antichrist might be like now as an adult.

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Damien is all grown up in TV follow-up to The Omen

The Exorcist spawned a series of sequels and prequels that couldn’t agree on where its characters had come from or where they were going. Now it seems the same fate has befallen The Omen, which was one of the other big supernatural horror movies from the 1970s.

The original film spawned two big-screen sequels that saw Damien Thorn, the boy destined to become the Antichrist, grow to adulthood. The third film ended with the Second Coming of Christ and the death of the Antichrist at the hands of his lover, but it was followed ten years later by a TV-movie in which we learned that Damien had sired a daughter in whom his creepiness lived on. (Meanwhile, the TV-movie also revealed, no doubt unintentionally, that the Second Coming had had absolutely zero effect on the world, and that things were still ticking along as though nothing had happened.)

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Almighty dollars

Many of the books, films, music and TV shows that make up the parallel universe of the Christian entertainment industry are keyed to the idea of Judgment Day. Odd, writes Peter T. Chattaway — the Rapture is a modern concept with virtually no basis in the Bible

Until it was released in theatres in the United States three weeks ago, Left Behind — an apocalyptic thriller filmed in Ontario and based on a best-selling series of novels by evangelical authors Tim LaHaye and Jerry B. Jenkins — was heavily promoted as the breakthrough film that Christian movie buffs had long been waiting for. The eight books in the series to date have sold over 30 million copies, and the film, which stars former teen idol Kirk Cameron as a TV journalist and Flight of the Intruder star Brad Johnson as an airline pilot, reportedly cost $17.4 million to make — though how much of that was spent on promoting the film, and not on the actual production, is a matter of some debate.

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