If you’re a Bible-movie buff and a space-movie buff like me, then you can’t help but notice how the two genres sometimes overlap.
Robert Loggia passed away today at the age of 85.
Four years ago, I wrote a blog post on The Big Fisherman (1959), one of the more obscure Bible movies ever released by a major Hollywood studio.
As far as I know, the film, which was originally distributed by Walt Disney’s Buena Vista division, has never been officially released to home video, at least not in North America. But I had read a bit about it in books on the history of Jesus movies — the title refers to the apostle Peter — and I was intrigued by the information I found at the Internet Movie Database.
For one thing, the film is based on a novel by Lloyd C. Douglas, who also wrote The Robe, which 20th Century Fox turned into a much more famous film in 1953. For another, it seemed that this film might rely on the secular account of Herod Antipas and John the Baptist given to us by Josephus, which no other film I could think of had ever done.
And what did the apostle Peter have to do with any of this? I had no idea, but I was curious to find out.
I recently watched Cecil B. DeMille’s Samson and Delilah (1949) for the first time in years, and I hope to write something about it soon. But one detail caught my eye, and got me curious to see if it was part of a trend that might have popped up in other Bible movies, too.
Specifically, I was struck by the writing credits that appear during the opening titles. The film gives credit to four different screenwriters, which is fairly typical — no doubt there were other writers who worked on the film without credit, too — but the film also goes on to specify not just that it is based on the Bible, or on a particular book of the Bible, but that it is based on particular chapters within that book.