Darren Aronofsky’s Noah came out on Blu-Ray and DVD one year ago this month, and to mark the occasion, I have rounded up every bit of footage I can think of that was deleted from the film itself but can still be seen in the trailers and featurettes.
The Noah Blu-Ray is here — and with it, a bunch of behind-the-scenes stuff that we have never seen before. Here are some quick notes on the bonus features.
First, a reminder that different editions of the film come with different bonus features.
As far as I know, seven bonus features have been released one way or another so far, and all of them are available on the “exclusive” Target edition of the Blu-Ray. (The bilingual packaging on the disc I bought here in Canada listed only six bonus features, but the actual disc had all seven.) But only three of them are available on the Blu-Ray that is available everywhere else.
Also, three bonus features are apparently included if you purchase the film directly from iTunes (if you use iTunes to get the free “digital copy” that comes with your disc, you won’t get any bonus features, just the film), but one of the iTunes bonus features is actually from the Target disc and not from the regular Blu-Ray.
Confused yet? I’ll try to sort it all out below.
I already have “interview round-ups” for director Darren Aronofsky and co-writer Ari Handel, so hey, why not one for cinematographer Matthew Libatique, who actually shot the images without which a film like Noah couldn’t exist?
Libatique went to film school with Aronofsky and has shot all but one of his feature films (the exception being 2008’s The Wrestler). Libatique even shot a couple of Aronofsky’s early short films!
Libatique has also worked multiple times with filmmakers like Spike Lee (She Hate Me, Inside Man, Miracle at St. Anna), Joel Schumacher (Tigerland, Phone Booth, The Number 23) and Jon Favreau (Iron Man, Iron Man 2, Cowboys & Aliens).
Of all the controversies that have swirled around Darren Aronofsky’s Noah, by far the dumbest is the one that erupted over the claim that the dialogue in this film never uses the word “God”.
Last night Jon Stewart tackled this subject in a segment called ‘Haters of the Lost Ark’. And along the way, he repeated a claim that I and others have made in the film’s defense — a claim that, I’m afraid, might have been mistaken.
The first time I saw Darren Aronofsky’s Noah, I took six pages of notes, and I watched it with the memory of an early draft of the screenplay lingering in my brain. So I was distracted on at least two levels: by a need to jot down as many quotes and facts as I could, and by an awareness of how the script had evolved. Never mind people who obsess over how the film may or may not have deviated from Genesis; I kept thinking of how the film was deviating from that early script!
Needless to say, I don’t normally take that kind of background knowledge to the theatre when I go to see a movie, and I knew it wouldn’t be fair to Noah to hold that knowledge against it either. I also knew I needed to just sit back and watch the movie like a proper movie, to bask in the drama and let it unfold.
And so, on Wednesday morning, I saw the film a second time. And I can think of no better way to sum up the difference between my two viewings of the film than to say that I didn’t cry at all the first time I saw Noah, but I shed tears on a few separate occasions the second time I saw it. It’s a powerful, powerful film.
A few weeks ago, I had the privilege of seeing Darren Aronofsky’s Noah and speaking to both Aronofsky and his co-writer/co-producer Ari Handel immediately after the screening. The following is part four of our conversation. Click on the links for parts one, two and three. The film comes out tonight.
One last question — for now, I guess, because I’d love to talk even longer–
Darren Aronofsky: Yeah, yeah, you could always come over to our dorm room. (laughs) I feel like I’m back in college. This is sophomore year at college, is me and Ari and a bunch of guys talking. I love it.