Just a few quick thoughts on Batman V Superman: Dawn of Justice.
The producers behind Son of God are attempting something that hasn’t been tried for years, even decades — and I’m not just referring to the fact that their film is an explicitly Christian adaptation of the Gospels that is getting a wide release from a major distributor.
Son of God is adapted from the History Channel miniseries The Bible, which got huge ratings last year and has since become one of the bestselling TV-based DVDs ever — so this film may mark the first time since the rise of home video that filmmakers have repackaged a TV show for the big screen and asked an audience to pay to see it all over again.
It was fifteen years ago today that The Prince of Egypt opened in theatres across North America. To mark the occasion, here are twelve things you may or may not know about the movie. (I would have come up with fifteen things, but didn’t have quite enough time.)
1. It came very close to being the first DreamWorks cartoon. It may seem hard to believe now, given that the DreamWorks brand has become associated with adolescent wise-ass humour and lots of pop-culture references, but when Jeffrey Katzenberg left Disney and co-founded the DreamWorks studio with Steven Spielberg and David Geffen in 1994, he aspired to epic greatness. After Katzenberg pitched the idea that animated films could take place on a grand scale like Lawrence of Arabia (1962), Spielberg suggested that they make an animated version of The Ten Commandments (1956) — and the resulting film was supposed to help establish the DreamWorks brand. [Read more…]
It’s common these days for each new episode of a TV series to begin with a montage that sums up all the relevant plot points from previous episodes. So it was only natural that, when the History Channel aired its five-part mini-series The Bible over the month of March, all but one of the episodes began with narrator Keith David intoning, in his deep baritone voice, “Previously, on The Bible…”
All of the show’s strengths and weaknesses are captured in that one phrase. Produced by Mark Burnett (a TV mogul best known for unscripted “reality” shows like Survivor and The Apprentice) and his wife Roma Downey (who once starred in Touched by an Angel), the mini-series rushes through the whole Bible, from Genesis to Revelation, in ten hours — though it’s more like seven, once you bracket off the commercial breaks — and it zips through the stories so quickly that you barely notice when they are compressed even further in those opening sequences. But the mini-series also makes a point of emphasizing the continuity between Bible stories in a way that is quite rare among Bible films, and in a way that sometimes allows individual stories to shed light profitably on others.