Kevin Reynolds to direct latest Resurrection-themed movie

You can’t make a hit film or TV show without inspiring legions of imitators, so it’s no surprise that, when The Bible racked up some record TV ratings earlier this year, a gaggle of filmmakers announced that they were going to make biblical movies of their own.

In one blog post back then, I noted that various producers were developing no less than four separate movies that will deal specifically with the 40 days between the Resurrection of Jesus and his Ascension into heaven — and that’s not counting the big-screen version of The Bible itself (which comes out next year and will reportedly emphasize the Resurrection as well).

Now a sixth film has entered the fray — and it may be a project that was first put in motion during the previous Bible-movie development craze, which followed yet another hugely successful Bible film, i.e. The Passion of the Christ (2004).

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Review: The Passion of the Christ: Definitive Edition (dir. Mel Gibson, 2004)

A lot has happened since The Passion of The Christ came out three years ago and broke a series of records, becoming the top-grossing R-rated movie, the top-grossing foreign-language film, and the top-grossing religious movie of all time — at least in North America. (The Matrix Reloaded is still the top R-rated film worldwide.)

Major movie studios have tried to replicate its success — by setting up faith-oriented divisions like FoxFaith, or by producing entire biblical movies of their own, such as The Nativity Story — and the careers of several of the film’s key players continue to reflect the film’s influence. Jim Caviezel, who played Jesus, will do so again in an audio Bible for Thomas Nelson. Hristo Shopov, who played Pontius Pilate, reprised the role last year in a remake of the Italian film The Inquiry. Benedict Fitzgerald, who co-wrote the script, recently wrote a prequel of sorts called Myriam, Mother of the Christ, and sold distribution rights to the as-yet-unproduced film to MGM.

And then there is director Mel Gibson, who bucked a wave of controversy over the film’s raw violence and alleged anti-Semitism, only to be caught making racist remarks shortly before finishing the similarly gory Apocalypto last year.

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