Second impressions: Noah (dir. Darren Aronofsky, 2014)

The first time I saw Darren Aronofsky’s Noah, I took six pages of notes, and I watched it with the memory of an early draft of the screenplay lingering in my brain. So I was distracted on at least two levels: by a need to jot down as many quotes and facts as I could, and by an awareness of how the script had evolved. Never mind people who obsess over how the film may or may not have deviated from Genesis; I kept thinking of how the film was deviating from that early script!

Needless to say, I don’t normally take that kind of background knowledge to the theatre when I go to see a movie, and I knew it wouldn’t be fair to Noah to hold that knowledge against it either. I also knew I needed to just sit back and watch the movie like a proper movie, to bask in the drama and let it unfold.

And so, on Wednesday morning, I saw the film a second time. And I can think of no better way to sum up the difference between my two viewings of the film than to say that I didn’t cry at all the first time I saw Noah, but I shed tears on a few separate occasions the second time I saw it. It’s a powerful, powerful film.

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Exclusive: Darren Aronofsky and Ari Handel on how they developed the script and where they really got the name for Emma Watson’s character in Noah

My interviews with Darren Aronofsky: 1998 | 2014 pt 1 | 2014 pt 3 | 2014 pt 4

A few weeks ago, I had the privilege of seeing Darren Aronofsky’s Noah and speaking to both Aronofsky and his co-writer/co-producer Ari Handel immediately after the screening. The following is part two of our conversation. You can read part one here. The film comes out Thursday night.

I’ve heard multiple times about the poem that you wrote, was that high school or is that late elementary, or–?

Darren Aronofsky: That was seventh grade, so I was like 12, 13, probably.

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Noah video round-up: new clips, B-roll footage, and more

I’m a little under the weather this morning so I won’t do a news round-up, but I did want to post a few new videos that have popped up in the last few days — including a full-fledged clip from the film, albeit a very brief one. As ever, you can check ’em all out below the jump.

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Noah news round-up: novelizations, ratings, and more

Let’s keep this one brief.

The big Noah news today, of course, is that three books based on the film are now available for purchase: a regular novelization of the movie, a junior novelization that focuses on Noah’s daughter-in-law Ila, and a graphic novel that is based on an early draft of the script and is thus somewhat different from the movie.

If you can’t wait for the movie to learn all its spoilers, or if you want to study how the script evolved from the version that produced the graphic novel to the version that produced the novelizations, well, you’ve now got plenty of reading material to work with!

To help you get started, MTV has posted an excerpt from the junior novelization, Ila’s Story, which introduces the character as a wounded and orphaned little girl; it also introduces those fallen angels known as the Watchers. No pictures, alas.

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More shots of Noah’s children in a TV spot from Peru

Don’t know how I missed this before, but the other day Russell Crowe tweeted a link to a TV spot for Noah posted by a movie website in Peru, and it happens to feature a few new shots, most of which depict Noah’s sons Shem and Ham, as well as his adopted daughter-in-law Ila. As ever, check them out below the jump.

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New images and soundbites in five new TV spots for Noah

With two weeks to go until the film’s release — just one, if you live in Mexico — Paramount Pictures released at least five new TV spots for Darren Aronofsky’s Noah today, as well as a brand new motion poster. As ever, check out the links and the new images below the jump.

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