It took ten years for the Greek hero Odysseus to come home from the Trojan War, and if Lionsgate has its way, it could take that long to tell his story on the big screen.
Vengeance is ours, saith Hollywood. This message came through particularly loud and clear during a single week in April, in which the studios released three films about grim, determined vigilantes who seek brutal revenge against their enemies. While those who take the law into their own hands are usually anything but heroic in real life, the protagonists in Kill Bill, The Punisher, and Man on Fire are all presented in more or less sympathetic terms. All of their violent vendettas are portrayed as at least somewhat justified, and there even seems to be a hint of divine sanction hanging over their efforts. All three of them have lost a child, and sometimes other friends and family too, and all three of them have been shot and left for dead by the villains who deprived them of their loved ones. Thus, when all three of them recuperate and set out on their quests for vengeance, it is as though they have risen from the dead to set wrongs right.
Gladiator gave us a nasty, brutish vision of the world, but it compensated somewhat with a soothing and vaguely pagan belief in the afterlife. The Passion of The Christ gave us the suffering and execution of the Jewish Messiah, but it concluded with a brief glimpse of the resurrection by which he conquered death. Now comes Troy, the biggest Greco-Roman epic of them all — so far — and its theology is of a more agnostic sort.