Review: Inglourious Basterds (dir. Quentin Tarantino, 2009)

Seventeen years after he burst onto the scene with the talky, violent crime flick Reservoir Dogs, the films of Quentin Tarantino continue to generate intense debate, even in theological circles.

Just the other day, I heard a prominent Christian professor assert that the hit men played by John Travolta and Samuel L. Jackson in Pulp Fiction make evil look attractive, and that those two characters remain “sociopaths” right to the end of the movie.

Many other Christians, however, have argued that Fiction does reflect a moral sensibility of some sort: the Jackson character abandons his criminal ways in the end, after he experiences something he believes to have been a “miracle,” while the Travolta character, who remains a criminal, is eventually killed with his own gun.

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