New Noah trailer looks at Noah’s sons and daughter-in-law

Another day, another Noah trailer. This one focuses on Noah’s relationships with his son Ham and his adopted daughter-in-law Ila, and it also focuses on Ila’s relationship with Shem. As always, you can check out the trailer and the new images below the jump.

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The Noah trailers: a shot-by-shot analysis

It can be fascinating to see how the same movie is marketed to different audiences. Is Noah a family man of prayer, as the trailers that have played at various church conferences suggest? Or is he an action hero who wields weapons in self-defense, as the just-released international trailer suggests? Well, in Darren Aronofsky’s hands, he appears to be both — and that’s just one of several fascinating ways in which the trailers for Noah are sending different signals to their various markets.

What follows is a shot-by-shot analysis of the two trailers that were released today, focusing primarily on the North American trailer, but continuing with some screen-caps from the international trailer and a note about the elements in the church-conference trailers that were not included in these new trailers.

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Noah and the Flood come to a South African township

Darren Aronofsky isn’t the only filmmaker tackling the story of Noah and the Flood right now. Mark Dornford-May, a British-born South African filmmaker who has already directed feature-length adaptations of opera (U-Carmen eKhayelitsha, 2005) and the Bible (Son of Man, 2006), recently finished making a short film about the Flood that is both biblical and operatic in origin.

The film in question is called Unogumbe, and it is based on Benjamin Britten’s opera Noye’s Fludde — which, itself, was based on a 15th-century mystery play that was, itself, based on the biblical story of Noah.

Screen Daily first mentioned the film three months ago, and reported that Pauline Malefane, who played Carmen and the Virgin Mary in the previous films, will play Mrs Noah in the new film. They also reported that this is the first film produced by the Isango Ensemble — a theatre company founded by Dornford-May and Malefane — that wasn’t developed as a stage production first.

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