Darwin Shaw on playing St Peter (and a Lego Bond villain)

The apostle Peter is not the first biblical character that Darwin Shaw has played in his decade or so as an actor. You can see him briefly as Adam, in a new prologue to the Campus Crusade film Jesus (1979) that was shot a few years ago, and you can also see him as the “Semitic Jesus” in Gospel of Thomas (2009), an interactive adaptation of the Gnostic text that allows you to toggle between different actors. (Another actor plays the “Western Jesus”.)

But Peter is easily the biggest role of this sort that Shaw has tackled so far. He appears in all five of the New Testament-themed episodes in last year’s mini-series The Bible, and he will appear again this week in Son of God, the big-screen movie that consists mostly of footage from that mini-series but also includes a few new scenes.

I spoke to Shaw — whose credits also include Casino Royale (2006), Prince of Persia: The Sands of Time (2010), John Carter (2012) and a deleted scene from Prometheus (2012) — by phone last week while he was in Los Angeles to promote Son of God.

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The Prodigal Son: three filmed interpretations (and more)

Today was the Sunday of the Prodigal Son in Eastern Orthodox churches, and once again, I found myself thinking about how our gospel reading for the day had been handled in different films.

The parable of the prodigal son appears just once in the Bible, in Luke 15, so of course it is featured in the word-for-word adaptation of that gospel produced by the Genesis Project in the 1970s. And just as the Genesis Project dramatizes some of the other parables while Jesus recites them, so too it dramatizes this one. You can watch the relevant sequence by clicking here.

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New movie about the young Jesus in the works at Lifetime

Aside from the fact that he went to Jerusalem with his parents when he was 12, the gospels say almost nothing about Jesus’ life between his birth and his baptism at the age of 30 — but that hasn’t stopped filmmakers (and novelists, etc.) from trying to fill in the gaps.

The latest attempt comes courtesy of the Lifetime channel, which, according to Deadline, is developing a TV-movie called The One, described as “a coming-of-age story exploring Jesus’ early life and formative years as he comes to learn he is the Son of God and is destined for greatness.”

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The Publican and the Pharisee: four filmed interpretations

Today, in Orthodox churches, was the Sunday of the Publican and the Pharisee. It’s the day when we read the parable that Jesus told about a Pharisee and a tax collector who went to the Temple to pray; while the Pharisee spent his prayer bragging that he was a great and righteous man, the tax collector begged for God’s forgiveness — and it was the tax collector, rather than the Pharisee, who “went home justified before God.” And so the parable reminds us that we need to pray in humility, and that it is not our place to judge our fellow human beings.

We read this parable on this day to remind ourselves that Lent is only a few weeks away, and that we should approach the season of fasting and prayer humbly, and without judging our fellow churchgoers (or, indeed, anyone else). And, naturally, as I pondered this parable, my mind turned to a few film versions of it.

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Son of God: why is Jesus holding that stone in his hand?

The YouTube channel for Son of God has been releasing new videos almost daily, all of them consisting of various Christian leaders who have lined up to promote the film by commenting on a clip from the film.

Despite the fact that there are a dozen different “exclusive interviews” on the YouTube channel now, they all revolve around just three basic clips: ‘Peter Goes Fishing’, ‘Walking on the Water’ and ‘The Last Supper’. And today’s clip, featuring Cardinal Donald Wuerl, offers an interpretation of the ‘Peter Goes Fishing’ scene that hadn’t occurred to me before.

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Jesus walks on water in new Son of God clip

The story of Jesus walking on the water appears in three of the canonical gospels — not, as you might think, the three Synoptic gospels (Matthew, Mark, Luke) but, rather, the gospels of Matthew, Mark and John. I have no idea why Luke’s gospel leaves this story out, but it’s not too hard to see why life-of-Jesus movies have skipped this episode for the most part.*

For one thing, it’s more brazenly supernatural than some of the other miracles, which could be a turn-off to some of the more skeptical or liberally-minded audience members. Also, it’s kind of hard to visualize what it would have looked like, exactly, for someone to walk on water — especially when there was a storm raging all around him and stirring up the waves. Until the rise of CGI, it might have been too difficult to film a version of this scene that would have looked half-way plausible.

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