At last, I have acquired a copy of the American Blu-Ray of The Young Messiah! While it doesn’t have all that many bonus features, it does have a few of them, which is more than I can say for the Canadian disc, which has none. (The American Blu-Ray also comes with a DVD copy of the film, which the Canadian Blu-Ray does not.)
It turns out director Cyrus Nowrasteh and producer Chris Columbus aren’t the only filmmakers who have been stumping for The Young Messiah. I now know of interviews with at least two other people who were involved with the making of the film, including co-star Sean Bean. Check ’em out below the jump.
There have been many movies about Jesus, and even a few that have spent some time on his childhood, but there have been none, to my knowledge, that dwell on what it would have been like for Jesus to grow up with brothers and sisters his own age. Indeed, there are very few films that acknowledge the presence of brothers and sisters in Jesus’ adult life, even though the gospels mention his siblings on several occasions. Thus, one of the best things about The Young Messiah — Cyrus Nowrasteh’s long-awaited adaptation of Anne Rice’s novel Christ the Lord: Out of Egypt — is the way it focuses on Jesus’ relatives right from its opening scene.
There has been a lot of sound and fury over the past six days as industry insiders and pundits of all kinds respond to the Academy’s decision to rescind the Oscar nomination for ‘Alone Yet Not Alone’, the title song to a small Christian film that almost no one had heard of until a few weeks ago, but which will now have ample fodder for its publicity campaign when it gets a wider release later this year.
I wrote about the rescindment last Wednesday, within hours of it being announced, but I figured it would be good to both take a step back and look at the film’s background, on the one hand, and summarize what the fallout has been since the Academy’s decision, on the other hand. Here, below, is a point-form summary.
Timing, they say, is everything. The Stoning of Soraya M., which depicts the rigged trial and execution of an Iranian woman whose husband has grown tired of her, goes into limited release this Friday after playing at a few film festivals — and it happens to be coming out at a time when the eyes of the world are on Iran and the crackdown that has taken place there against the protestors who claim the June 12 election was rigged by the authorities.