The naked Christ in film: birth, death and resurrection

“The Word became flesh,” according to John 1:14, but that flesh has been hidden, for the most part, in movie portrayals of Jesus. At certain key points in his life, history and even tradition would dictate that Jesus ought to be depicted nude — and there are good theological reasons for doing so. But films have tended to shy away from nudity in their own portrayals of those parts of the Jesus story.

There are some obvious reasons for this reticence, of course, starting with the fact that film, for much of its history, has been forced to skirt around images of nudity in general, and images of male nudity in particular. Plus, when a film does show someone’s nudity, it does not merely show you the character’s nudity; it shows you the actor’s nudity, as well, and the knowledge that you are seeing an actor’s naked body can sometimes distract you from the character. This is especially true when the character is meant to be an embodiment of divinity like Jesus.

There have been at least three significant exceptions, though — three films that each depict the nudity of Jesus at a different key point in his story.

[Read more...]

The Bible: third episode, first impressions

Three down, two to go! Here are my first impressions of the third episode of The Bible, which ended the Old Testament section of the mini-series and began the New Testament section.

Continuity between Bible stories, redux. For all my grumbling about the series to date, there is one thing about it that I have always appreciated, and that is the way it links the various Bible stories, whether by having characters in one story recall what their ancestors did in another, or by having the angels appear in multiple stories wearing the exact same clothes, etc. And the first half of this episode is seriously impressive on that level.

[Read more...]

The Bible: first episode, first impressions

I don’t get cable at home, so it took me a while to catch up with the first episode of The Bible, which premiered last Sunday. There are four more episodes to go, so it’s too early to review the series as a whole right now, but for now, these are my first impressions.

[Read more...]

Ethnicity in Jesus films – does it matter?

In 1961, Metro–Goldwyn–Mayer produced King of Kings, the first major Hollywood film about the life of Christ since the silent era. The virgin Mary was played by Siobhan McKenna, a respected Irish actress in her late 30s, and the villainous Herod the Great was described by the narrator as “an Arab of the Bedouin tribe.”

Nearly half a century later, things have flipped around. The Nativity Story, produced by New Line Cinema (the same studio that made The Lord of the Rings), casts an Irishman as King Herod; and several of the supporting actors were born in primarily Muslim territories, such as Iran and Sudan, or can trace their family roots there.

[Read more...]

Review: The Bible Collection (dir. various, 1993-1995)

Abraham, Warner Alliance, 1993, dir. Joseph Sargent.
Jacob, Warner Alliance, 1994, dir. Peter Hall.
Joseph, Warner Alliance, 1995, dir. Roger Young.

BIBLE MOVIES refer so often to “the God of our fathers” it’s surprising at first to discover just how little attention films have paid to the patriarchs.

There are several reasons for this. Most biblical life stories are made up of disconnected episodes that do not easily conform to the structure of a two- or three-hour film. Attempts to be “historically accurate” with Genesis falter since no one knows when these stories occurred; scholars have dated Abraham to anywhere between the 23rd and 14th centuries BC.

[Read more...]