If you’re a Bible-movie buff and a space-movie buff like me, then you can’t help but notice how the two genres sometimes overlap.
Twelve years ago, Cliff Curtis played the father of Keisha Castle-Hughes in the acclaimed film Whale Rider.
Four years later, Castle-Hughes played the Virgin Mary in The Nativity Story.
Now comes word that Curtis may — may — be playing Mary’s son Jesus in Clavius, in which a Roman centurion investigates reports of the Resurrection.
It’s all speculation at this point. But Thompson on Hollywood, speaking to Curtis about another film at the Toronto film festival, mentions that Curtis is something of a method actor, and that he refuses to talk during interviews right now (though he will gesture with his hands and write notes on his laptop) because he is currently playing “a man of God … who speaks only of God,” in Curtis’s words.
The Passion of The Christ was an independent movie, paid for entirely out of Mel Gibson’s pocket. The Prince of Egypt was an animated film that emphasized the common ground between Jews, Christians and Muslims. The Last Temptation of Christ was a low-budget art-house flick based on a heretical novel.
You would have to go back at least as far as King David, the mid-1980s box-office flop starring Richard Gere, to find another live-action movie produced by a major Hollywood studio and based directly on the Bible. And you would have to go back even further — to the bathrobe epics of the 1960s, at least — to find a mainstream biblical movie that was as blatantly Christian as The Nativity Story.
In 1961, Metro–Goldwyn–Mayer produced King of Kings, the first major Hollywood film about the life of Christ since the silent era. The virgin Mary was played by Siobhan McKenna, a respected Irish actress in her late 30s, and the villainous Herod the Great was described by the narrator as “an Arab of the Bedouin tribe.”
Nearly half a century later, things have flipped around. The Nativity Story, produced by New Line Cinema (the same studio that made The Lord of the Rings), casts an Irishman as King Herod; and several of the supporting actors were born in primarily Muslim territories, such as Iran and Sudan, or can trace their family roots there.
LOS ANGELES, CA — It has been nearly three years since The Passion of the Christ proved there was an audience for biblical movies with a strong Christian theme. Now, Hollywood is finally beginning to catch up — and what better way to follow a film about the death of Jesus than to make a film about his birth?
The Nativity Story, which comes to theatres December 1, is directed by Catherine Hardwicke, a former production designer who made her directorial debut three years ago on Thirteen, an Oscar-nominated, R-rated film about the troubled relationship between a teenaged girl and her single mother. Hardwicke followed this with Lords of Dogtown, a dynamic look at several legendary skateboarders in the 1970s.
Sex, drugs, and rock’n’roll were all prominent features of Hardwicke’s first two films, so it might seem like a stretch that she would then go on to tackle a rather pious account of the virginal conception of Christ. But the film does star 16-year-old New Zealander Keisha Castle-Hughes, who became the youngest best-actress Oscar nominee in history two years ago for her performance in Whale Rider; and Hardwicke says the new film actually fits quite nicely with her previous youth-oriented movies.