What if A.D. The Bible Continues was a silent movie?


One of the noteworthy things about A.D. The Bible Continues is how it really piles on the visual effects when something really supernatural happens. In fact, the series trades on the sort of images that Bible movies haven’t really gone for since the silent era, when movies of this sort functioned less as documentary-style plays — showing us “what life was really like back then” — and were more like icons in motion.

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The Ascension of Christ in film: literalism, symbolism, etc.

Today is the Feast of the Ascension, when Christians remember how Jesus was taken up into heaven 40 days after his Resurrection. It’s one of the stranger bits in the Gospels — both difficult to understand, given our modern cosmology, and difficult to pull off visually — and most of what we know about it actually comes from the Book of Acts. So it’s not too surprising that most films about Jesus have tended to skip this episode.

Nevertheless, a few films have depicted the Ascension, often by mixing it with elements from other stories in the gospels; and even those that don’t depict it have often made a point of ending on a note that suggests Jesus has transcended this life in some way that parallels the Ascension. Here are a few examples.

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How well have movies depicted Jesus the exorcist?

The History Channel had a huge hit this year with The Bible, but the makers of that mini-series are taking the sequel to another network, so it’s not too surprising that the History Channel has turned to someone else to make a follow-up of their own. What is surprising is that their next Jesus-themed series will be made by a bunch of horror-movie veterans, including Eli Roth, director of Hostel (2005-2007), Eric Newman, producer of the Dawn of the Dead remake (2004) and the prequel to The Thing (2011), and Scott Kosar, a writer whose credits include the remakes of The Texas Chainsaw Massacre (2003) and The Amityville Horror (2005). Roth and Newman also co-produced The Last Exorcism (2010-2013).

Deadline says the series is currently called The Lost Years and will look at what Jesus was up to between the ages of 13 and 30. The series will also reportedly fit into the horror genre as it explores “a theory about Jesus’ origins as an exorcist.”

Given the pedigree of everyone involved, this could easily be very schlocky (“Jesus The Teenage Demon Slayer,” as Matthew Archbold puts it). And yet I can’t help thinking that performing exorcisms was a major part of Jesus’ ministry, and it’s possible the Jesus-movie genre hasn’t paid as much attention to that side of him as it could.

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One controversial Jesus movie turns 25, another turns 40

Two movies about Jesus, both of which were quite controversial in their day, are celebrating major anniversaries this month.

First, there is Jesus Christ Superstar, which premiered in New York City 40 years ago yesterday before going into general release on August 15, 1973.

I don’t appear to have written all that much about this film over the years, though I did write the following about the 25th-anniversary edition of the soundtrack in an article for BC Christian News that was first published in 1999:
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Bible movie of the week: Jesus, the Spirit of God (2007)

Christians aren’t the only ones who hold Jesus in high esteem. Muslims do too, though they have radically different beliefs about him — and at least one movie has actually tried to dramatize those beliefs the same way other Bible movies have dramatized their own filmmakers’ beliefs.

But wait… is it right to call Jesus, the Spirit of God, an Iranian film produced in 2007, a “Bible movie”? Is not much of the film based on the Koran and other post-biblical sources, such as the late-medieval document known as the Gospel of Barnabas, rather than on the Bible itself?

Well, yes, the film is based on those other documents, but I’d still say it counts as a “Bible movie” on some level, inasmuch as many of its narrative elements can be traced back through those sources to the Bible itself. If we can accept Ben-Hur, which was based on a novel, or The Passion of the Christ, which was based on the visions of a 19th-century nun, as “Bible movies” because they contain elements that go back to the scriptures, then we can certainly put this film under the same broad umbrella.

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History and tradition in movie depictions of the Cross.

Western Easter came and went last week, but the Eastern churches are currently only half-way through the Lenten season, so yesterday was, for us, the Sunday of the Veneration of the Precious Cross.

Thinking about this, I inevitably started thinking about Jesus movies, and I began to think about the fact that the recent mini-series The Bible has joined Mel Gibson’s The Passion of the Christ in taking a step back from recent “historically accurate” depictions of the Crucifixion towards a more traditional sort of iconography.

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